Geschickte Dramaturgie: Konstantin Krimmel in Schuberts Schwanengesang

Malcolm Martineau und Konstantin Krimmel

Konstantin Krimmel

By Michael Vieth, 22 July 2023

Loading, please wait...

See full listing

“Krimmel und Martineau modellierten [die Lieder] zu Bühnendramen”

Reviewed at Cuvilliés-Theatre, Munich on 21 July 2023

Schubert, Schwanengesang (Rellstab, Heine, Seidl), D.957

Konstantin Krimmel, Baritone

Malcolm Martineau, Piano

Love's loss lamented: Boesch and Martineau in Edinburgh

Roy Westbrook, 15th August

A traditional Lieder programme at the Edinburgh International Festival brings songs concerned with love, celebrating its joys but more often lamenting its loss and its pains.

****1

Crushed velvet: Elīna Garanča holds Wigmore Hall spellbound

Mark Valencia, 17th February

With Malcolm Martineau, the Latvian mezzo delivered poise and polish and transcendent Rückert Lieder.

****1

A diva debut: Anna Netrebko in recital at Carnegie Hall

Edward Sava-Segal, 9th December

Netrebko put together a potpourri showcasting her immense vocal gifts as well as her versatility.

****1

Catriona Morison’s recital première in Edinburgh

David Smythe, 19th January

Winner of Cardiff Singer of the World, Scottish mezzo Catriona Morrison charms the enthusiastic audience with her varied programme of romantic songs.

****1

A voyage of discovery in Christiane Karg's Prom debut

John Johnston, 21st August

The opening of the Duparc rippled diaphanously in Martineau's hands as the seductive but pure silver of Karg's voice.

****1

Anna Netrebko triumphs in her Met Opera recital debut

Ako Imamura, 28th February

It was an afternoon of pure delight as Anna Netrebko presented a full program of Russian art songs acompanied by an excellent pianist colleague.

*****

More reviews...

Michael Vieth

Michael Vieth ist Physiker und hat viele Jahre in der Zentralen Forschung der Siemens AG in Erlangen und München an magnetischen Speichern und Sensoren gearbeitet. Auch von klassischer Musik magnetisiert, singt er seit seinem Studium in Göttingen in großen Kantoreien und Chorprojekten; eine besondere Vorliebe hat sich zu Motetten der Renaissance und der Moderne entwickelt. Daneben faszinieren ihn Auftritte und Programme kleiner Vokal-Ensembles.