Mit imaginierender Kraft: Florent Schmitts Salomé in Frankfurt

By Michael Vieth, 22 January 2021

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“eine rauschhafte Sogkraft in musikantisch plastischer Vollendung”

Reviewed at Hessischer Rundfunk: hr-Sendesaal, Frankfurt am Main on 21 January 2021

Dukas, La Péri: Fanfare

Satie, Gymnopédie no. 1 (orchestriert von Claude Debussy)

Satie, Gymnopédie no. 3 (orchestriert von Claude Debussy)

Schmitt, La Tragédie de Salomé

Frankfurt Radio Symphony

Alain Altinoglu, Conductor

Altinoglu and Rachlin reveal the dark side of the 20th-century ethos

Edward Sava-Segal, 8th September

At the George Enescu International Festival, the Frankfurt Radio Symphony plays music without consolation by Sibelius and Shostakovich.

****1

A boisterous opening at the Dvořák Prague Festival

Frank Kuznik, 5th September

Alain Altinoglu and the Frankfurt Radio Symphony Orchestra leave a lot to the imagination in a fiery treatment of two signature Dvořák works.

***11

French rarities from Alain Altinoglu and the Frankfurt Radio Symphony

Alexander Hall, 21st March

On paper this looked entrancing: a French conductor with Armenian roots assaying a score of oriental splendour. It was the first half, however, with Dutilleux and Debussy that satisfied more.

***11

Andrés Orozco-Estrada gives farewell concert with the Frankfurt RSO

Alexander Hall, 27th June

Partnering Augustin Hadelich in the Sibelius Violin Concerto and directing two works by Mendelssohn, Andrés Orozco-Estrada doesn't quite temper acoustic problems associated with the ecclesiastical venue.

****1

Sergey Malov makes the case for “off the shoulder” Boccherini

Laurence Vittes, 28th January

In a world of Sergey Malovs the violoncello da spalla could have been a contender.

****1

A Greek connection: Constantinos Carydis in Frankfurt

Alexander Hall, 14th January

In this musical journey the Greek conductor Constantinos Carydis takes you to Athens and Crete, while Igor Levit explores Apollonian qualities in Mozart.

***11

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Michael Vieth

Michael Vieth ist Physiker und hat viele Jahre in der Zentralen Forschung der Siemens AG in Erlangen und München an magnetischen Speichern und Sensoren gearbeitet. Auch von klassischer Musik magnetisiert, singt er seit seinem Studium in Göttingen in großen Kantoreien und Chorprojekten; eine besondere Vorliebe hat sich zu Motetten der Renaissance und der Moderne entwickelt. Daneben faszinieren ihn Auftritte und Programme kleiner Vokal-Ensembles.

Mit imaginierender Kraft und instrumentaler Finesse: Florent Schmitts Salomé in Frankfurt