Stimmakrobatin vs. Klavierlöwe: Claron McFadden und Alexander Melnikov

By Michael Klier, 23 December 2022

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“ein Konzertbeginn wie ein sommerlicher Platzregen: überraschend heftig und ungemein erfrischend”

Reviewed at Muziekgebouw aan’t IJ: Main Hall, Amsterdam on 22 December 2022

Prokofiev, Five Songs without Words for Voice and Piano, Op.35

Cage, Aria

Berio, Sequenza III, für Frauenstimme

Berberian, Stripsody

Knussen, Whitman Settings

Schnittke, Improvisation and fugue

Schulhoff, Sonata erotica, for female voice solo

Crumb, Apparition: Elegiac Songs and Vocalises

Claron McFadden, Soprano

Alexander Melnikov, Piano

Bach sheds light in an impressively dark outing from the ACO

Nick Boston, 21st March

Energetic commitment from the ACO at the Barbican, with precision and edge from Alexander Melnikov and Jeroen Berwaerts in an evening of darkness and light.

****1

Energetic Scottish Symphony lifts a weighty evening with the LPO

Nick Boston, 20th January

Ponomarchuk and the LPO raise the spirits in Felix Mendelssohn's Scottish Symphony after an underwhelming first half at the Brighton Dome.

***11

Aimez-vous Rachmaninov? Alexander Melnikov at Musikfest Berlin

Elena Luporini, 27th August

Russian pianist Alexander Melnikov is joined on stage at the Philharmonie by Alexander Rudin, Nadezhda Pavlova and Olga Pashchenko to give the audience a taste of Rachmaninov's chamber repertoire.

****1

Mixed performances in Ligeti and Mozart from Les Siècles

David Truslove, 20th August

Three concertos and a symphony made for an unusual but generous programme, but Les Siècles illustrate that versatility can come with mixed blessings.

***11

Prom 19: From dawn to death with Thomas Dausgaard and the BBCSSO

Leighton Jones, 2nd August

Strauss’ Also sprach Zarathustra fills the Royal Albert Hall, while Schumann’s piano concerto is followed by MacMillan’s masterpiece The Confession of Isobel Gowdie.

****1

Melnikov and Staier bring intimacy and fresh edge to Schubert

Nick Boston, 10th January

Alexander Melnikov and Andreas Staier's sensitive and insightful performances, combined with the fortepiano's freshness and added edge, make for a special evening of Schubert.

*****

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Michael Klier

Michael Klier macht schon seit mehr als einem halben Jahrhundert Musik. Als gebürtiger Berliner kam er 1993 nach Amsterdam. Er war Mitglied unterschiedlichster internationaler Ensembles und Orchester. Heute betreibt er eine florierende Unterrichts- und Coachingpraxis. Als Teamcoach bietet er dort Schulungen an, in denen die Kursteilnehmer miteinander komponieren, um so ihre ungenutzten kreativen Potentiale zu entdecken und besser miteinander zu kommunizieren. Denn: Musiker sind die Architekten des Himmels.

Stimmakrobatin versus Klavierlöwe: Claron McFadden und Alexander Melnikov