Mit Bravour den Spiegel vorhalten: Zemlinskys Der Zwerg in Amsterdam

By Michael Klier, 06 September 2021

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“das Lied von der blutenden Orange... unnachahmlich ernst und gefühlvoll vorgetragen von Clay Hilley”

Reviewed at Dutch National Opera and Ballet, Amsterdam on 4 September 2021

Zemlinsky, Der Zwerg (The Dwarf)

Dutch National Opera

Lorenzo Viotti, Conductor

Nanouk Leopold, Director

Leopold Emmen, Set Designer

Wojciech Dziedzic, Costume Designer

James Farncombe, Lighting Designer

Lenneke Ruiten, Donna Clara

Derek Welton, Don Estoban

Clay Hilley, The Dwarf

Annette Dasch, Ghita

Julietta Aleksanyan, First Maid

Inna Demenkova, Second Maid

Maya Gour, Third Maid

Netherlands Philharmonic Orchestra

Chorus of Dutch National Opera

The Dutch National Ballet’s Hans van Manen in Carré

Mark Vicente, 30th April

Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen’s works. It’s a wonderful tribute to the great master choreographer.

*****

Weinberg’s The Passenger at Dutch National Opera

Clare Varney, 17th April

Tobias Kratzer's 2024 Munich production makes its way to Amsterdam, proving that Weinberg's opera has the power to transfix.

****1

Dutch National Ballet's reimagined La Bayadère triumphs

Mark Vicente, 26th March

Dutch National Ballet's new production of La Bayadère does away with the ballet’s problematic gestures and movements, allowing the choreography to truly shine.

****1

Michel van der Aa’s Theory of Flames: defining opera for a modern age

Clare Varney, 6th March

British singers Mary Bevan and Roderick Williams lead the cast in Dutch National Opera’s latest ground-breaking opera, merging live music with pre-recorded film and electronics.

****1

Dutch National Ballet brings much needed heat to this winter season

Mark Vicente, 10th February

The Dutch National Ballet helped shake off those winter blues with a mixed programme that highlighted ballet’s love affair with Latin rhythms and movement.

****1

Semele at Dutch National Opera: myth, desire and fantasy

Mengguang Huang, 23rd January

Guth’s Semele turns myth into a contemporary domestic drama, where desire becomes obsession and illusion consumes reality. Handel’s music remains the true engine, driven by a thrilling, physically intense ensemble.

****1

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Michael Klier

Michael Klier macht schon seit mehr als einem halben Jahrhundert Musik. Als gebürtiger Berliner kam er 1993 nach Amsterdam. Er war Mitglied unterschiedlichster internationaler Ensembles und Orchester. Heute betreibt er eine florierende Unterrichts- und Coachingpraxis. Als Teamcoach bietet er dort Schulungen an, in denen die Kursteilnehmer miteinander komponieren, um so ihre ungenutzten kreativen Potentiale zu entdecken und besser miteinander zu kommunizieren. Denn: Musiker sind die Architekten des Himmels.

Mit Bravour den Spiegel vorhalten: Alexander Zemlinskys Der Zwerg in Amsterdam