A rollicking good story woven into music by a composer without peers, the ultimate operatic expression of the High Romantic aesthetic, and an opera that actually feels short at five hours.
If you've been brought up with the Judaeo-Christian ideal of an all-powerful, all-good God, Norse mythology can come as a bit of a shock. Wotan, the father of the gods, is philandering, deceitful, power-hungry, sentimental, violent and ultimately weak - the gamut of human frailties writ large.
*****
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