Sir Antonio Pappano reflects on recent performances of Fidelio and Norma and how his Orchestra dell'Accademia Nazionale di Santa Cecilia has evolved and the difficulties staging Verdi.
Fidelio, Beethoven's only opera, is on the most universal of themes: the oppression of the innocent by the powerful and the virtue of the struggle for a loved one. It could be set at any time in any place, from Ancient Rome or China to our modern world.
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