Performer: Jürgen Flimm

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MilanTi vedo, ti sento, mi perdo

Sciarrino: Ti vedo, ti sento, mi perdo
Maxime Pascal; Jürgen Flimm; Teatro alla Scala; Gudrun Hartmann; Otto Katzameier; Orchestra del Teatro alla Scala
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Jürgen Flimm's production of Fidelio returns to The Met after a long absence

The Met revived Beethoven's only opera Fidelio with a strong cast and excellent chorus and orchestra, with a production that celebrates liberty and love.
****1
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Racette an unlikely success at Met's Revival of Salome

The Met revived Jurgen Flimm's modern production of Salome, with Patricia Racette making a successfu last minute role debut in the title role.
****1
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Flimm's Hollywood Manon Lescaut is fleet-footed but effective

With a light-voiced cast and gentle updating, the Staatsoper's new Manon Lescaut makes a good case for Puccini's difficult breakthrough opera.
****1
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Jürgen Flimm’s La clemenza di Tito loses the plot

Jürgen Flimm takes so many liberties with Mozart’s La clemenza it should be re-titled “Tito’s Lament”.
**111
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An expressionistic Wozzeck at La Scala

The set is a stark, grubby nonentity. A central concave structure spits out each scene's requisites, flashing up like apparitions from the vortex of Wozzeck's mind.
****1
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