A rollicking good story woven into music by a composer without peers, the ultimate operatic expression of the High Romantic aesthetic, and an opera that actually feels short at five hours.
La mise en scène du troisième volet de la Tétralogie déçoit cette fois-ci franchement, malgré de splendides décors. Musicalement cependant, il est difficile de rêver mieux !
***11
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