L’édito de septembre : gare à la crise des vocations

By Tristan Labouret, 02 September 2020

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“la question d’une reconversion professionnelle apparaît de plus en plus souvent”

David Karlin, 20th August

Bachtrack is currently operating under a tsunami of robot traffic. Here’s the story from the inside of what the cyber-criminals are doing and how we’ve been fighting them.

Opinion: End the death by a thousand cuts

David Karlin, 29th July

A new report, The State of the Arts, highlights the challenges faced by policymakers. We address three key questions that should underpin their response.

Opinion: Incompetence or malice? ACE’s new report on opera

David Karlin, 29th April

In March, 15 months after they faced a storm of protest after cuts to UK opera, Arts Council England published Let’s Create: Opera and Music Theatre Analysis. It’s an eye-poppingly poor piece of work.

Opinion: Tomorrow’s classical music audience is out there!

Jo Johnson, 11th March

Based on extensive research from 300 UK performing arts organisations, a new report, Tomorrow’s Audience, has found that more people than ever before booked arts and cultural events in 2023.

Opinion: Who rules journalism? There’s only one answer...

David Karlin, 28th February

With written journalism now overwhelmingly viewed online, we argue that its real regulation comes not from the legally appointed body but from Google, the gatekeeper of search.

Arts Council England’s funding round: its impact on opera

David Karlin, 4th November

The biggest shock in today's round of ACE funding cuts was the news that ENO is no longer to be part of the National Portfolio.

Tristan Labouret

Musicologue diplômé du CNSMD de Paris, Tristan Labouret collabore avec de nombreux artistes et institutions musicales (Printemps des Arts de Monte-Carlo, Orchestre national d'Île-de-France, Opéra Orchestre National Montpellier, festivals de musique de chambre de Deauville, Just Classik Festival…), menant des activités de médiation à destination de tous les publics. Ex-altiste toujours passionné par les répertoires chambristes et symphoniques, il occupe depuis 2018 le poste de rédacteur en chef de la partie francophone de Bachtrack.