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Performer: Ailyn Pérez

Upcoming eventsSee more...

AmsterdamPagliacci / Cavalleria rusticanaNew production

Pagliacci / Cavalleria rusticana
Leoncavallo, Mascagni
Sir Mark Elder; Robert Carsen; Dutch National Opera; Radu Boruzescu; Annemarie Woods; Ailyn Pérez; Brandon Jovanovich

New York CityLa bohème

Puccini: La bohème
Marco Armiliato; Franco Zeffirelli; Metropolitan Opera; Peter J. Hall; Matthew Polenzani; Ailyn Pérez

ViennaManon

Massenet: Manon
Frédéric Chaslin; Andrei Serban; Vienna State Opera; Peter Pabst; Ailyn Pérez; Jean-François Borras

New York CitySimon Boccanegra

Verdi: Simon Boccanegra
Carlo Rizzi; Giancarlo del Monaco; Metropolitan Opera; Michael Scott-Mitchell; Carlos Álvarez; Dmitry Belosselskiy

New York CityLa bohème

Puccini: La bohème
Emmanuel Villaume; Franco Zeffirelli; Metropolitan Opera; Peter J. Hall; Joseph Calleja; Ailyn Pérez
Latest reviewsSee more...

Carmen minus charisma: a limp revival of Kosky's production

Jacquelyn Stucker (Frasquita), Anaïk Morel (Carmen), Hongni Wu (Mercédès) and dancers © ROH | Bill Cooper
Barrie Kosky's divisive production returns to The Royal Opera but has lost its zing. 
**111
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A Falstaff to relish at the Met

Ailyn Pérez (Alice) and Ambrogio Maestri (Falstaff) © Karen Almond | Met Opera
A welcome revival at the Met of Robert Carsen's witty production of Verdi's final opera. 
*****
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Codes of honour trip up Bechtolf's Ernani at La Scala

Francesco Meli (Ernani and Ailyn Pérez (Elvira) © Marco Brescia & Rudy Amisano | Teatro alla Scala
Verdi's fifth opera can be considered a blueprint for Trovatore and deserves a more regular place in the repertoire, but it needs more sincere advocacy than Bechtolf is prepared to grant.
***11
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An unexpected Met debut in Roméo et Juliette

Ailyn Pérez (Juliette) and Andrea Shin (Roméo) © Ken Howard | Metropolitan Opera
Bartlett Sher's production of Gounod's Romeo et Juliette returns to the Met. 
***11
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Méphistophélès, the master puppeteer

Christian Van Horn (Méphistophélès) © Cory Weaver
Chicago's new Faust is a quest for youth but also a reflection on insipiration, fabrication and manipulation. 
****1
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