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Performer: Alessandro Carletti

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PesaroLa scala di seta (The Silken Ladder)

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Rossini: La scala di seta (The Silken Ladder)
Iván López Reynoso; Damiano Michieletto; Rossini Opera Festival; Paolo Fantin; Alessandro Carletti; Orchestra del Teatro Comunale di Bologna

MunichDer Rosenkavalier

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Strauss R.: Der Rosenkavalier
Vladimir Jurowski; Barrie Kosky; Bavarian State Opera; Rufus Didwiszus; Victoria Behr; Alessandro Carletti; Bayerisches Staatsorchester

BerlinSemele

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Handel: Semele
George Petrou; Barrie Kosky; Komische Oper Berlin; Natacha Le Guen de Kerneizon; Carla Teti; Alessandro Carletti; Orchester der Komischen Oper Berlin

ParisDon Pasquale

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Donizetti: Don Pasquale
Speranza Scappucci; Damiano Michieletto; Opéra national de Paris; Paolo Fantin; Agostino Cavalca; Alessandro Carletti; Orchestre de l'Opéra national de Paris

MilanCarmenNew production

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Bizet: Carmen
Myung-whun Chung; Damiano Michieletto; Teatro alla Scala; Paolo Fantin; Carla Teti; Alessandro Carletti; Orchestra del Teatro alla Scala

ViennaAnimal Farm

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Raskatov: Animal Farm
Alexander Soddy; Damiano Michieletto; Vienna State Opera; Paolo Fantin; Klaus Bruns; Alessandro Carletti; Orchestra of the Vienna State Opera
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Darkness without passion: Damiano Michieletto’s Carmen at La Scala

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Despite Michieletto's visual gloom, the evening is redeemed by Myung-whun Chung’s masterful conducting and a cast that brings conviction to a production that rarely trusts the opera’s own dramatic power.

**111
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Siegfried at the RBO: Kosky and Pappano surprise and delight

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A revelatory orchestral performance and a cast led by Andreas Schager, Christopher Maltman and Elisabeth Strid make this a Siegfried for the record books.
*****
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Wagner’s Lohengrin finally returns – swanless – to Rome

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Damiano Michieletto is entrusted with the first staging of Lohengrin in Rome for 50 years, but his distracting staging is redeemed by the musical side of things. 
***11
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Glyndebourne revives Michieletto’s Kátya Kabanová

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Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates. 
***11
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The little man has his day: a nasty and brutish Die Walküre

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The latest, thrilling instalment of Barrie Kosky's Ring cycle at Covent Garden does not have to strain for contemporary relevance. 
*****
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World premiere success for Filidei’s Il nome della rosa at La Scala

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A great cast and an enjoyable score seal the success of a new opera based on Umberto Eco's classic historical murder mystery, The Name of the Rose

****1
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ParisSamson et Dalila

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Saint-Saëns: Samson et Dalila
Philippe Jordan; Damiano Michieletto; Opéra national de Paris; Paolo Fantin; Carla Teti; Alessandro Carletti; Orchestre de l'Opéra national de Paris

ParisDon Pasquale

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Donizetti: Don Pasquale
Evelino Pidò; Damiano Michieletto; Opéra national de Paris; Paolo Fantin; Agostino Cavalca; Alessandro Carletti; Orchestre de l'Opéra national de Paris

ParisDon Quichotte

Opéra national de Paris
Massenet: Don Quichotte
Patrick Fournillier; Damiano Michieletto; Opéra national de Paris; Paolo Fantin; Agostino Cavalca; Alessandro Carletti; Orchestre de l'Opéra national de Paris