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TriesteL’elisir d’amore
Donizetti: L'elisir d'amore
Nicolò Jacopo Suppa; Damiano Michieletto; Teatro Lirico Verdi Trieste; Paolo Fantin; Silvia Aymonino; Alessandro Carletti; Orchestra of the Fondazione Teatro Lirico Giuseppe Verdi di Trieste
BrusselsCavalleria rusticana & Pagliacci
Mascagni, Leoncavallo
Alevtina Ioffe; Damiano Michieletto; La Monnaie | De Munt; Paolo Fantin; Carla Teti; Alessandro Carletti; La Monnaie Symphony Orchestra
BerlinSemele
Handel: Semele
George Petrou; Barrie Kosky; Komische Oper Berlin; Natacha Le Guen de Kerneizon; Carla Teti; Alessandro Carletti; Orchester der Komischen Oper Berlin
ParisDon Pasquale
Donizetti: Don Pasquale
Speranza Scappucci; Damiano Michieletto; Opéra national de Paris; Paolo Fantin; Agostino Cavalca; Alessandro Carletti; Orchestre de l'Opéra national de Paris
NaplesLa Cenerentola
Rossini: La Cenerentola (Cinderella)
Speranza Scappucci; Damiano Michieletto; Teatro di San Carlo; Paolo Fantin; Agostino Cavalca; Alessandro Carletti; Orchestra del Teatro di San Carlo
LondonCarmen
Bizet: Carmen
Sesto Quatrini; Damiano Michieletto; The Royal Opera; Paolo Fantin; Carla Teti; Alessandro Carletti; Orchestra of the Royal Opera House Covent Garden
Latest reviewsSee more...
Fizzing farce: La scala di seta at the Rossini Opera Festival
Rossini’s La scala di seta returns to the ROF in a lively revival of Damiano Michieletto’s production that combines the composer’s sparkling music with a playful contemporary staging.
Darkness without passion: Damiano Michieletto’s Carmen at La Scala
Despite Michieletto's visual gloom, the evening is redeemed by Myung-whun Chung’s masterful conducting and a cast that brings conviction to a production that rarely trusts the opera’s own dramatic power.
Siegfried at the RBO: Kosky and Pappano surprise and delight
A revelatory orchestral performance and a cast led by Andreas Schager, Christopher Maltman and Elisabeth Strid make this a Siegfried for the record books.
Wagner’s Lohengrin finally returns – swanless – to Rome
Damiano Michieletto is entrusted with the first staging of Lohengrin in Rome for 50 years, but his distracting staging is redeemed by the musical side of things.
Glyndebourne revives Michieletto’s Kátya Kabanová
Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.
The little man has his day: a nasty and brutish Die Walküre
The latest, thrilling instalment of Barrie Kosky's Ring cycle at Covent Garden does not have to strain for contemporary relevance.
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ParisSamson et Dalila
Saint-Saëns: Samson et Dalila
Philippe Jordan; Damiano Michieletto; Opéra national de Paris; Paolo Fantin; Carla Teti; Alessandro Carletti; Orchestre de l'Opéra national de Paris
ParisDon Pasquale
Donizetti: Don Pasquale
Evelino Pidò; Damiano Michieletto; Opéra national de Paris; Paolo Fantin; Agostino Cavalca; Alessandro Carletti; Orchestre de l'Opéra national de Paris
ParisDon Quichotte
Massenet: Don Quichotte
Patrick Fournillier; Damiano Michieletto; Opéra national de Paris; Paolo Fantin; Agostino Cavalca; Alessandro Carletti; Orchestre de l'Opéra national de Paris