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MunichSiegfriedNew production

Wagner: Siegfried
Vladimir Jurowski; Tobias Kratzer; Bavarian State Opera; Rainer Sellmaier; Michael Bauer; Bayerisches Staatsorchester
MunichMartin, Liszt
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Martin, Liszt
Munich Philharmonic Orchestra; Fabio Luisi; Benjamin Bruns; Brass Ensemble from Munich Philharmonic; Munich Philharmonic Choir
MunichGötterdämmerungNew production

Wagner: Götterdämmerung
Vladimir Jurowski; Tobias Kratzer; Bavarian State Opera; Rainer Sellmaier; Michael Bauer; Bayerisches Staatsorchester
MunichSiegfriedNew production

Wagner: Siegfried
Vladimir Jurowski; Tobias Kratzer; Bavarian State Opera; Rainer Sellmaier; Michael Bauer; Bayerisches Staatsorchester
MunichGötterdämmerungNew production

Wagner: Götterdämmerung
Vladimir Jurowski; Tobias Kratzer; Bavarian State Opera; Rainer Sellmaier; Michael Bauer; Bayerisches Staatsorchester
BayreuthDer fliegende Holländer (The Flying Dutchman)

Wagner: Der fliegende Holländer (The Flying Dutchman)
Oksana Lyniv; Dmitri Tcherniakov; Elena Zaytseva; Gleb Filshtinsky; Bayreuth Festival Orchestra
Latest reviewsSee more...
Redemption and musical caffeine: Nelsons conducts Mahler 8 in Vienna
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Sunday morning Mahler at the Wiener Konzerthaus sees Andris Nelsons concluding his symphony cycle with the Vienna Philharmonic in shattering fashion.
Promenading on Golgotha: BCJ perform the St John Passion
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In its 300th anniversary year, Bach's St John Passion returns to the BBC Proms, with Masaaki Suzuki leading the Bach Collegium Japan.
Kirill Petrenko's new energy proves irresistible at the Philharmonie
Sultry Berg and and a lithe, forceful Beethoven Nine herald an exciting new reign in Berlin.
Girl power rules: Vienna State Opera with Die Frau ohne Schatten
The outstanding trio of Nylund, Stemme and Herlitzius soars above a Vienna State Opera Orchestra in thunderous form, led by Christian Thielemann to celebrate the Staatsoper's 150th birthday in style.
Folk rhythms and changing times in Dresden's Bartered Bride
What brought real distinction and authenticity to the evening, as so often in this house, was the outstanding playing of the Staatskapelle conducted by Tomaš Netopil. From the start of the overture with its rapidly scurrying fugato for strings and pointed phrasing from the woodwind one felt the true sense of Smetana’s Czech inflected rhythms and harmonies
“Ridiculous and detestable?" Not on Suzuki’s guard
C minor and C major are at the centre of Masaaki Suzuki's Haydn and Beethoven programme with the Sydney Symphony.
