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Barocktage opens with a murder: Scarlatti’s Il primo omicidio

Romeo Castellucci’s inspiring and spiritual production lands in Berlin, with a superb cast of Baroque specialists and the B’Rock Orchestra under the baton of René Jacobs.
Irreverence and ennui in De Keersmaeker's Six Brandenburg Concertos
Anna Teresa De Keersmaeker's production of Six Brandenburg Concertos at the Park Avenue Armory in New York City disappoints
Inspired Ritorno d’Ulisse at the Concertgebouw

Under the baton of René Jacobs, B’rock Orchestra gave an inspired performance that ought to contribute in giving Il ritorno d’Ulisse in Patria the place it deserves in the standard repertoire.
Haydn's Creation not quite a Big Bang at Holland Festival
At the Holland Festival, the performance of Haydn’s Die Schöpfung with film images by Julian Rosefeldt does not quite unfold as the spectacle it promises on paper.
Gassmann's comedy L'Opera Seria in Brussels
An opera that pokes fun at opera seria? An opera that features backstage preparations for a show, followed by an opera within an opera? No, it’s not Strauss' Ariadne auf Naxos.
B’Rock debuts at the Proms
B'Rock bring an interesting programme of Italian Baroque to their debut at the Proms.