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Performer: Christina Nilsson

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StockholmTurandot

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Puccini: Turandot
Tobias Ringborg; Marco Arturo Marelli; Royal Swedish Opera; Dagmar Niefind; Royal Swedish Orchestra

StockholmTosca

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Puccini: Tosca
Eivind Gullberg Jensen; Knut Hendriksen; Royal Swedish Opera; Vitali Alekseenok; André Callegaro; Björn Brusewitz; Ann-Mari Anttila

StockholmWagner and The World of Yesterday

© Peter Knutson
Nielsen, Wagner, Andersson
Royal Stockholm Philharmonic Orchestra; Thomas Dausgaard; Christina Nilsson

StockholmLied Concert with Christina Nilsson

© Peter Knutson
Wolf, Schubert, Nystroem, Rangström, Strauss R.
Christina Nilsson; Magnus Svensson

StockholmBeethoven Festival VI – Beethoven and Mayer

© Peter Knutson
Beethoven, Mayer
Royal Swedish Orchestra; Alan Gilbert; Christina Nilsson

ZurichTannhäuserNew production

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Wagner: Tannhäuser
Tugan Sokhiev; Thorleifur Örn Arnarsson; Zurich Opera; Florian Lösche; Teresa Vergho; Martin Gebhardt; Orchester der Oper Zürich
Latest reviewsSee more...

Death and what comes after: Alan Gilbert's Mahler 2 in Hamburg

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Opening the new season, Alan Gilbert and the NDR Elbphilharmonie Orchester send out a clear message in Mahler's Second Symphony, both lyrically shaped and dramatically inflected.
****1
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Verdi’s Requiem at the Baltic Sea Festival in Stockholm

Domingo Hindoyan conducts a cast of Swedish performers in Verdi’s masterpiece, for the Baltic Sea Festival.
***11
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Great Aida debut for Christina Nilsson

The remarkable performance of young soprano Christina Nilsson does not completely rescue a mixed-bag cast and a lack of Personenregie at the Stockholm Royal Opera.
**111
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A Liederabend in Stockholm

An evening of songs by Beethoven, Schubert, Schumann, Quilter, and several Scandinavian composers.

Hier gilt’s dem Kitsch: Die Meistersinger von Nürnberg in Bayreuth

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Klischees, Klamauk und Kitsch – Matthias Davids Meistersinger setzen auf bunte Bilder und reichlich Provinzposse statt Tiefgründigkeit und frischer Ideen. 
***11
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Happy end pour le Ring de Bayreuth selon Valentin Schwarz

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Dernier opus de la Tétralogie, le Crépuscule des dieux s'avère plutôt convaincant scéniquement. Vocalement, les chanteurs rendent justice à la musique de Wagner, malgré des signes de fatigue.
****1
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