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Performer: Dmitri Tcherniakov

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ZürichDie Sache MakropulosNew production

Die Sache Makropulos
Janáček: The Makropulos Case (Věc Makropulos)
Jakub Hrůša; Dmitri Tcherniakov; Zurich Opera; Elena Zaytseva; Evelyn Herlitzius; Sam Furness

ParisIolanta / Casse-noisette

Iolanta à l'Opéra Garnier © Julien Benhamou / Opéra national de Paris
Tomáš Hanus; Dmitri Tcherniakov; Opéra national de Paris; Elena Zaytseva; Valentina Naforniţă; Krzysztof Bączyk

BrusselsThe Tale of Tsar SaltanNew production

Rimsky-Korsakov: The Tale of Tsar Saltan
Alain Altinoglu; Dmitri Tcherniakov; De Munt | La Monnaie; Elena Zaitseva; Ante Jerkunica; Svetlana Aksenova

BerlinDie Verlobung im Kloster

Prokofiev: Betrothal in a Monastery
Alexander Vitlin; Dmitri Tcherniakov; Staatsoper Berlin; Elena Zaytseva; Stephan Rügamer; Andrey Zhilikhovsky

HamburgElektraNew production

Strauss R.: Elektra
Kent Nagano; Dmitri Tcherniakov; Hamburg State Opera; Elena Zaytseva; Elena Pankratova; Violeta Urmana
Latest reviewsSee more...

Champagne without the fizz: Tcherniakov's Betrothal in a Monastery

Lauri Vasar, Goran Jurić, Violeta Urmana, Aida Garifullina (Luisa) und Bogdan Volkov © Ruth and Martin Walz
The Russian director's role play production of Prokofiev's comedy falls flat at the Staatsoper.
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Carthage carnage: Tcherniakov's Trojans flops at the Bastille

Stéphanie d'Oustrac (Cassandre) © Vincent Pontet | Opéra national de Paris
Tcherniakov reduces Berlioz' epic to little more than Circle Time therapy, a poor way to mark the composer's anniversary year.
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Modified rapture: Tcherniakov's new Tristan

Andreas Schager (Tristan) and Anja Kampe (Isolde) © Monika Rittershaus
A passionless staging of Wagner's masterpiece throws cold water on Barenboim's fiery conducting at the Staatsoper.
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Carmen as therapy in Aix

Stéphanie d'Oustrac (Carmen) and Michael Fabiano (Don José) © Patrick Berger | artcompress
Love may well be a rebellious bird, but that's as nothing to maverick director Dmitri Tcherniakov, whose twisted staging for Festival d'Aix reimagines Bizet's opera as a radical therapy session.
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Rites of Spring: Tcherniakov embraces Rimsky

Elena Manistina (Spring Beauty) and Aida Garifullina (Snegurochka) © Elisa Haberer | Opéra National de Paris
This Paris production of The Snow Maiden proves that director Dmitri Tcherniakov is today's greatest champion of Rimsky-Korsakov's operas. 
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