Performer: Elizabeth DeShong

Guest conductor Harry Bicket brings a sense of urgency to Mozart's Requiem and pulse-quickening energy to Symphony no. 40.

Faithful to the libretto’s dramaturgy, the staging unfolds in scenographic environments of strong impact -

John Adams’ Antony and Cleopatra puts the composer's propulsive music at the service of both moments of riveting human drama and less effective scenes of battle and politics. 

Asmik Grigorian's astonishing acting and subtle vocalism make for a promising Met debut in this revival of Anthony Minghella's lacquered staging. 

Great vocal performances from Amina Edris and Gerald Finley grace John Adams' new opera, which opens San Francisco Opera’s centennial season.

In common with Satyagraha, the core of Mozart's Enlightenment opera is forgiveness: versatile opera director Strassberger discusses his forthcoming LA production and how he gets the best from his singers.