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Bluebeard as psychothriller in Castellucci's mismatched double bill
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Romeo Castellucci's intense production of Bartók's opera reaps its rewards in the performance under Teodor Currentzis, but Carl Orff's opera-oratorio De temporum fine comoedia feels little more than a drab filler.
Au fait with Orphée: Salzburg celebrates Offenbach's bicentenary
The Salzburg Festival's production of Offenbach's Orpheus in the Underworld is another classic in the making from Barrie Kosky.
Skilfully constructed: Wozzeck at the Salzburg Festival
A skilfully constructed production, and one that plays with the our perspectives. Whether the images are flashbacks from a war-troubled Wozzeck or a Büchner-esque portent of the horrors to come is left for the audience to decide.