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Munich Don Carlo in fifty shades of black
Better conducting and supertitles would also help breathe life into this drab revival of Bayerische Staatsoper's Don Carlo.
Tristan und Isolde in Munich: surprising and triumphant
The bright colours and childishness of Konwitschny’s production for the Bayerische Staatsoper shock but succeed. The cast and orchestra shine, especially in the final act.
Norma in Munich: dramatically solid but musically uninspiring
A good staging and good acting aren't enough to make up for musical shortcomings of the Bayerische Staatsoper's Norma.
An anti-clerical Forza del destino in Munich
Martin Kušej's production of La forza del destino is hard hitting and intelligent: an imperfect orchestral performance is more than compensated for by an outstanding cast of singers.
Darkness and dramatic irony in Roberto Devereux
Christof Loy's modern-dress production of Donizetti's Roberto Devereux for the Bayerische Staatsoper is deliciously, darkly ironic. A dream cast handles the dramatic and musical challenges well, though the voice of the star sounds worn for this star vehicle.
Unbounded excitement for new Lucia
The Bavarian State Opera's new production is harmonious and its musical performances are greeted with a wave of excitement.
