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Munich Don Carlo in fifty shades of black
Better conducting and supertitles would also help breathe life into this drab revival of Bayerische Staatsoper's Don Carlo.
Tristan und Isolde in Munich: surprising and triumphant
The bright colours and childishness of Konwitschny’s production for the Bayerische Staatsoper shock but succeed. The cast and orchestra shine, especially in the final act.
Norma in Munich: dramatically solid but musically uninspiring
A good staging and good acting aren't enough to make up for musical shortcomings of the Bayerische Staatsoper's Norma.