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To the World: a musical geography lesson at Glimmerglass
In place of a full musical, this revue highlighted classic and contemporary songs that celebrate places and cultures, although some selections seemed questionable out of context.
Isabel Leonard soars in Glimmerglass Festival's Songbird
Set in New Orleans during the Jazz Age, this riff on Offenbach's La Périchole captures the festive spirit of the summer, despite some tired jokes.
Glimmerglass Festival's Camelot fit for a king
What does any theatergoer want from a stage musical? For starters, beautiful singing, solid acting, striking costumes, clever direction, and characters to love and to loathe. A melodic score with a few toe-tappers and a smart book and lyrics. The new production of Camelot presented at the Glimmerglass Festival is that theatergoer’s dream – a crowning glory, a royal treat.
Edinburgh Contemporary Music Ensemble at the Reid Concert Hall
Doubling as a 300-seat lecture theatre for Edinburgh University’s Music Department, the 1859 Reid Concert Hall is an elegant performance space with deep red walls and a fine sound. On this particular evening an audience of around a couple of hundred gathered for a seven-item concert given by the Edinburgh Contemporary Music Ensemble.
Ton américano-voltairien pour un optimisme musical : Candide au Théâtre du Capitole
Pour la production de ce Candide, le Capitole recevait un plateau et une équipe presque entièrement issus des milieux américains, faisant souffler dans l’enceinte du théâtre un vent de fraîcheur et de nouveauté.
