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Performer: Jean-Christophe Spinosi

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ParisVivaldi's L’OlimpiadeConcert performance

Vivaldi: L'Olimpiade, RV 725
Jean-Christophe Spinosi; Riccardo Novaro; Ambroisine Bré; Benedetta Mazzucato; Chiara Skerath

LinzAimard & Spinosi

Spontini, Méhul, Cherubini, Beethoven
Bruckner Orchester Linz; Jean-Christophe Spinosi; Pierre-Laurent Aimard
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StockholmBeethoven's Symphony no. 7

© Jean Baptiste Millot
Beethoven: Symphony no. 7 in A major, Op.92
Royal Stockholm Philharmonic Orchestra; Jean-Christophe Spinosi
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A female voice florilegium: Vivaldi's Juditha triumphans in Paris

Marie-Nicole Lemieux © Geneviève LeSieur

A great performance of Vivaldi's only surviving oratorio, with Marie-Nicole Lemieux as the protagonist, under the baton of Jean-Chirstophe Spinosi.

****1
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Camels and comic capers in Algiers: Italiana in Salzburg

José Coca Loza (Haly), Cecilia Bartoli (Isabella) and Alessandro Corbelli (Taddeo) © Monika Rittershaus
Cecilia Bartoli is joined by frequent collaborators Moshe Leiser and Patrice Caurier in a fun-filled Rossini farce full of Italian sunshine. Big grins all round. 
*****
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A British Cinderella in Stockholm

Johanna Rudström (Angelina) and Ole Aleksander Bang (Don Ramiro) © Sören Vilks
Lindy Hume's Victorian production brings to life Cinderella's story through the capable hands of Jean-Christophe Spinosi.
**111
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Love in a diner

Not the typical Cinderella fairytale: Cecilia Bartoli brings Cenerentola to a present day Whitsuntide by cleaning the tables of a diner.
****1
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A stormy reception for Rossini's Otello in Paris

Verdi’s Otello opens with a fierce storm raging over Cyprus. In Rossini’s version, composed 71 years earlier in 1816, the composer eschewed the Cypriot setting entirely and the storm doesn’t take place until Act III, although last night a mighty crack of thunder resounded over the Théâtre des Champs-Élysées as the audience filed into the opera house. 
****1
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Le nozze di Teti, e di Peleo: Rossini rarities in rare quality at the Theater an der Wien

In times where musical luxury is sometimes associated with having a pop star perform a short “Happy Birthday” and a handful of songs in a private performance – and for a usually undisclosed (and indecent) fee, having a whole piece of music composed for an occasion, or organising a private performance by a famous orchestra, is almost unimaginable.
****1
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