Performer: Laurence Equilbey

Jessica Pratt lights up the Parisian skies with her Konstanze in Florent Siaud’s new production of Mozart's Singspiel at the Théâtre des Champs-Élysées. 

Gorgeous French music, polished choral singing and excellent soloists are marred by an overwhelmingly dark timbre and unsympathetic video.

Violinist Blake Pouliot, cellist Bryan Cheng, and pianist Angela Hewitt, all previous winners of the Orchestre symphonique de Montréal’s Concours, return to perform Beethoven’s Triple Concerto.

Laurence Equilbey makes a convincing case for a younger, fresher Fidelio played on period instruments.

Louise Farrenc bucked the trend by composing symphonies at a time when Paris had turned its back on the symphony.

A disappointing staging of Weber's supernatural opera by Compagnie 14:20 in Paris

One of the world’s leading Baroque cellists talks about diving into Schumann’s lyrical Cello Concerto, which he performs at Paris’ La Seine Musicale for the first time this November.

Ahead of performances with Insula orchestra in February, the South Korean pianist talks about taking inspiration from Beethoven’s harmony, early pianos, and making musical choices that are maximally persuasive.

Simon Rattle called Robert Schumann’s strange, Orientalist oratorio “the greatest masterpiece you’ve never heard of”. We discover this enigmatic piece ahead of Insula orchestra’s production at La Seine Musicale.