Bachtrack logo

Darkness and light: Equilbey's period Fidelio in concert

Sinéad Campbell Wallace (Leonore), Stanislas de Barbeyrac (Florestan)
© Insula Orchestra | Vincent Pontet
Sinéad Campbell Wallace (Leonore)
© Insula Orchestra | Vincent Pontet
Stanislas de Barbeyrac (Florestan)
© Insula Orchestra | Vincent Pontet
Loading, please wait...
See full listing
“the period instruments bring a refreshing warmth, lyricism, and clarity to the score”
Reviewed at Barbican Hall, London on 11 May 2022
Beethoven, Fidelio
Laurence Equilbey, Conductor
David Bobée, Director, Set Designer
Stéphane Babi Aubert, Lighting Designer
Nicolas Girard-Michelotti, Assistant director
Léa Jézéquel, Assistant set designer
Wojtek Doroszuk, Video
Stanislas de Barbeyrac, Florestan
Sinéad Campbell Wallace, Leonore
Sebastian Holecek, Don Pizarro
Christian Immler, Rocco
Hélène Carpentier, Marzelline
Patrick Grahl, Jaquino
accentus
Petrenko and Serebrennikov forge a new Ring in Salzburg
****1
Eyes wide shut for Berlin’s new Ballo
***11
Frida Kahlo and Diego Rivera brings Spanish to the Lyric Opera
****1
A Baroque Netflix evening: Zurich’s star-studded Giulio Cesare
***11
Young stars shine in the Staatsoper Berlin’s Rosenkavalier
*****
Handel’s Belshazzar at Komische Oper Berlin
****1
More reviews...
Related articles
Loading image...
Breath, harmony, articulation: Sunwook Kim plays Beethoven’s First in Paris
Loading image...
Romantic elsewheres: Gaining entry to Schumann’s Paradise and the Peri
Loading image...
Historically informed ultramodernism: Insula orchestra at La Seine Musicale
Loading image...
Street-smart and subversive: Ailish Tynan talks Così fan tutte
Kevin W Ng