Live EventsSee more...
Aix-en-ProvenceAccabadoraWorld premiere
Loading image...
Filidei: Accabadora
Lucie Leguay; Valentina Carrasco; Festival d'Aix-en-Provence; Mariangela Mazzeo; Mauro Tinti; Antonio Castro; Orchestre de l'Opéra de Lyon
ParisMaria StuardaConcert performance
Loading image...
Donizetti: Maria Stuarda
Clelia Cafiero; Orchestre de chambre de Paris; Chœur Les Eléments; Ermonela Jaho; Marina Viotti
Baden-BadenGiacomo Puccini: La BohèmeConcert performance
Puccini: La bohème
Marco Armiliato; Gstaad Festival Orchestra; Chor der Bühnen Bern; Benjamin Bernheim; Carolina López Moreno
FlorenceSimon BoccanegraNew production
Verdi: Simon Boccanegra
James Conlon; Àlex Ollé; Maggio Musicale Fiorentino; Alfons Flores; Lluc Castells; Orchestra del Maggio Musicale Fiorentino; Coro del Maggio Musicale Fiorentino
MilanDon Giovanni
Mozart: Don Giovanni
Thomas Guggeis; Robert Carsen; Teatro alla Scala; Michael Levine; Brigitte Reiffenstuel; Orchestra del Teatro alla Scala
MilanIl barbiere di Siviglia
Rossini: Il barbiere di Siviglia
Giulio Cilona; Leo Muscato; Teatro alla Scala; Federica Parolini; Silvia Aymonino; Alessandro Verazzi; Orchestra del Teatro alla Scala
Latest reviewsSee more...
Werther revived at San Carlo: an anatomy of emotional isolation
Loading image...
Willy Decker’s psychologically intense Werther returns to the Teatro di San Carlo with a deeply human interpretation by Francesco Demuro and refined conducting by Lorenzo Passerini.
Diamonds and steel: Anna Pirozzi rules in La Scala’s Turandot revival
Loading image...
Visually enchanting and meticulously staged, this centenary revival confirms Livermore's production as a modern classic.
La fanciulla del West revival fails to reignite the spark in Naples
Loading image...
Huge de Ana's staging is carefully crafted but feels dramaturgically outdated as the Teatro di San Carlo heads into the twilight of sovrintendente Stéphane Lissner’s final season.
Falstaff als abgehalfterter Popstar an der Semperoper in Dresden
Loading image...
Musikalisch war Daniele Gattis Falstaff eine Offenbarung und ein grandioser Einstieg als Chef an der Semperoper. Auch das Sängerensemble nötigte Bewunderung ab. Michielettos Personenführung diente der Komödie gut, blieb aber im szenischen Setting einigermaßen belanglos.