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Performer: Małgorzata Szczęśniak

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MunichEugene Onegin

Eugene Onegin
Tchaikovsky: Eugene Onegin
Henrik Nánási; Krzysztof Warlikowski; Bavarian State Opera; Małgorzata Szczęśniak; Igor Golovatenko; Elena Stikhina

ParisDon Carlo

Étienne Dupuis (Rodrigo) et Roberto Alagna (Don Carlo) © Vincent Pontet / Opéra national de Paris
Verdi: Don Carlo(s)
Fabio Luisi; Krzysztof Warlikowski; Opéra national de Paris; Małgorzata Szczęśniak; René Pape; Roberto Alagna

BrusselsLes Contes d'HoffmannNew production

Offenbach: Les Contes d'Hoffmann (The Tales of Hoffmann)
Alain Altinoglu; Krzysztof Warlikowski; De Munt | La Monnaie; Małgorzata Szczęśniak; Eric Cutler; Enea Scala

StuttgartIphigénie en Tauride

Gluck: Iphigénie en Tauride
Stefano Montanari; Krzysztof Warlikowski; Oper Stuttgart; Małgorzata Szczęśniak; Amanda Majeski; Johannes Kammler
Latest reviewsSee more...

An oppressive, living hell at Covent Garden

Johan Reuter (Šiškov) © ROH | Clive Barda
Johan Reuter is gripping in Krzysztof Warlikowski's powerful vision of the universal, timeless horrors of prison, but visual clutter distracts from Janáček’s music.
***11
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Gold-plated cast compensates for frosty staging

Elīna Garanča (Eboli) © Agathe Poupeney | Opéra de Paris
Krzysztof Warlikowski’s new Paris staging of Verdi's epic Don Carlos is cold and glassy, but the vocal performances at the Bastille more than compensate.
***11
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Schreker's Die Gezeichneten returns to Munich

Catherine Naglestad (Carlotta Nardi), Bavarian State Opera Chorus © Wilfried Hösl
The musical glories of Schreker’s glistening, late-Romantic score are laid bare in the Bavarian State Opera’s first production of Die Gezeichneten since 1919.
****1
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A revelatory Frau ohne Schatten in Munich

Elena Pankratova (Barak the Dyer's Wife) © Wilfried Hösl
A musical performance of stunning quality underpins this revival of Krzysztof Warlikowski's lavish, ambiguous Strauss staging.
****1
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Ugly and brilliant: Wozzeck at Dutch National Opera

Christopher Maltman (Wozzeck) and Sir Willard White (The Doctor) © Ruth Walz
Clarity and mounting horror in the orchestra pit, the full truth and ugliness of the human condition onstage. Dutch National Opera’s new production of Wozzeck is stomach-churning for all the right reasons.
*****
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