Performer: Marianne Crebassa

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Paris50 ans du Chœur de l’Orchestre de Paris / Orchestre de Paris - Klaus Mäkelä

Philharmonie de Paris: Grande salle Pierre Boulez, Oct 21, 22

Berlioz: Roméo et Juliette, choral symphony

Orchestre de Paris; Klaus Mäkelä; Chœur de l'Orchestre de Paris; Marianne Crebassa; Jean Teitgen; Richard Wilberforce

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Gran Teatre del Liceu: Auditorium, Nov 25, 27, 29, Dec 01

Mozart: La clemenza di Tito

Jordi Savall; Sir David McVicar; Gran Teatre del Liceu; Bettina Neuhaus; Jenny Tiramani; Jennifer Tipton; Le Concert des Nations

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Halle aux grains, Dec 31, 2027 Jan 01, 02

Milhaud, Canteloube, Tchaikovsky, Glazunov

Orchestre National du Capitole de Toulouse; Timur Zangiev; Marianne Crebassa

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Konzerthaus: Großer Saal, Wed 24 Feb at 20:00

Schumann, Berlioz

Insula orchestra; Laurence Equilbey; Marianne Crebassa

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La Seine Musicale: Auditorium Patrick Devedjian, 2027 Feb 26, 27

Schumann, Berlioz

Insula orchestra; Laurence Equilbey; Marianne Crebassa

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Die Residenz: Herkulessaal, Fri 9 Apr at 20:00

Benjamin

Bavarian Radio Symphony Orchestra; Sir Simon Rattle; Anna Prohaska; Beate Mordal; Marianne Crebassa; Cameron Shahbazi

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Storms without the stress: Daniel Harding and the Berliner Phil

Daniel Harding, Johanna Wallroth and Marianne Crebassa © Bettina Stöß

Hugo Shirley, 26 Sep

Drama, precision and high-definition contrast in a thrilling Resurrection Symphony at the Philharmonie.

****1

Marianne Crebassa © Apple and Biscuit Productions

Richard Wilcocks, 12 Apr

Accompanied by Joseph Middleton, Marianne Crebassa performs an exquisite recital of Debussy, Mahler, Mompou and Ravel.

*****

Marianne Crebassa and The Mozartists © The Mozartists

Mark Pullinger, 26 Feb

Trouser – and toga – roles abound at Wigmore Hall as French mezzo-soprano Marianne Crebassa debuts with The Mozartists in arias from four key Mozart roles.

****1

Marianne Crebassa (The Woman) © Jean-Louis Fernandez

David Karlin, 05 Jul

Sir George Benjamin and Martin Crimp’s fourth opera shares the best qualities of their previous work but is an inspiring, breathtaking fable.

*****

To die in order to live: Castellucci's Resurrection

Romain Daroles, 04 Jul

Following his Requiem at the 2019 Aix Festival, Romeo Castellucci surprises us with the purity and humility of his Mahler Second, conducted remarkably by Esa-Pekka Salonen.

****1