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Paris50 ans du Chœur de l’Orchestre de Paris / Orchestre de Paris - Klaus Mäkelä

Berlioz: Roméo et Juliette, choral symphony
Orchestre de Paris; Klaus Mäkelä; Chœur de l'Orchestre de Paris; Marianne Crebassa; Jean Teitgen; Richard Wilberforce
ToulouseConcerts du Nouvel An

Milhaud, Canteloube, Tchaikovsky, Glazunov
Orchestre National du Capitole de Toulouse; Timur Zangiev; Marianne Crebassa
Boulogne-BillancourtBerlioz / Schumann

Schumann, Berlioz
Insula orchestra; Laurence Equilbey; Marianne Crebassa
ValenciaGustavo Gimeno & Orquestra de la Comunitat Valenciana

Ravel, Falla, Stravinsky
Orquestra de la Comunitat Valenciana; Gustavo Gimeno; Marianne Crebassa
SalzburgVienna Philhamonic · Muti

Verdi: Messa da Requiem
Vienna Philharmonic; Riccardo Muti; Iwona Sobotka; Marianne Crebassa; Michael Spyres; Maharram Huseynov
Latest reviewsSee more...
Marianne Crebassa: potent and versatile at Leeds Song
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Accompanied by Joseph Middleton, Marianne Crebassa performs an exquisite recital of Debussy, Mahler, Mompou and Ravel.
Marianne Crebassa wears the trousers at Wigmore Hall
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Trouser – and toga – roles abound at Wigmore Hall as French mezzo-soprano Marianne Crebassa debuts with The Mozartists in arias from four key Mozart roles.
Lessons in grief: Picture a day like this triumphs in Aix
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Sir George Benjamin and Martin Crimp’s fourth opera shares the best qualities of their previous work but is an inspiring, breathtaking fable.
To die in order to live: Castellucci's Resurrection
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Following his Requiem at the 2019 Aix Festival, Romeo Castellucci surprises us with the purity and humility of his Mahler Second, conducted remarkably by Esa-Pekka Salonen.
Oropesa, Crebassa and Scappucci shine at La Scala
Speranza Scappucci leads a dream team of singers in Bellini’s masterpiece, in a new production by Adrian Noble.
A granitic Beethoven 9 from Muti in Salzburg
“Go big or go home” could easily have been the motto of this summer’s festival. Muti didn’t just go big. He went huge.
Latest articles
Marianne Crebassa: “I love telling stories”
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The young French mezzo discusses Ravel's Shéhérazade, and reflects on the art of song and her approach to recitals.
