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StuttgartThe Cunning Little Vixen
Janáček: The Cunning Little Vixen
Killian Farrell; Stephan Kimmig; Staatsoper Stuttgart; Katja Haß; Anja Rabes; Gerrit Jurda; Staatsorchester Stuttgart
StuttgartLucia di LammermoorNew production
Donizetti: Lucia di Lammermoor
Andriy Yurkevych; Katie Mitchell; Staatsoper Stuttgart; Vlad Iftinca; Vicki Mortimer; Jon Clark
StuttgartLonging
Danko, Janáček, Schubert
Musicians from Staatsorchester Stuttgart; Julia Köhl; Nadine Bauer; Frank Bunselmeyer
StuttgartLady Macbeth of the Mtsensk DistrictNew production
Shostakovich: Lady Macbeth of the Mtsensk District
Nicholas Carter; Ulrike Schwab; Staatsoper Stuttgart; Omer Ein Zvi; Pia Dederichs; Lena Schmid; Valentin Däumler
StuttgartJonathan Nott / Carolin Widmann
Busoni, Ligeti, Sibelius
Staatsorchester Stuttgart; Jonathan Nott; Carolin Widmann
StuttgartStation Paradiso
Glojnarić: Station Paradiso
Peter Rundel; Anika Rutkofsky; Staatsoper Stuttgart; Christina Schmitt; Adrian Stapf; Volker von Schwanenflügel; Staatsorchester Stuttgart
Latest reviewsSee more...
In Konwitschny's modern Medea, monsters are made by men
Director Peter Konwitschny's staging of Cherubini's Medea critiques rejection and mistreatment of refugees. A strong new German translation and a talented cast make this a must-see.
Rousseau and a boxing ring: Ariodante in Stuttgart
In Jussi Wieler and Sergio Morabito’s pugilistic production of Ariodante, the singers needed as much physical and gymnastic dexterity as vocal finesse.
Sex and violence in the ghetto: Pique Dame
Oper Stuttgart’s new production of The Queen of Spades (Pique-Dame) pushes a directorial tendency to update opera to a modern setting to an extreme.
Devil in the detail: Gounod's Faust in Stuttgart
A thrilling new staging of Gounod's opera from the team that brought Bayreuth its current Ring, with musical rewards to match.
Modern terror: Salome in Stuttgart
Director Kirill Serebrennikov gives us a frightening new reality of the modern world beset by war and terrorism in his reimagining of Strauss's Salome
Im Sog der Radikalisierung: Die Meistersinger in Stuttgart
Die neue Produktion von Wagners komischer Oper beeindruckt mit einer stimmlichen Top-Besetzung auch aus dem eigenen Ensemble; die Regie dagegen versucht konzeptionell zu viel und bleibt dabei auf der Strecke.