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MunichDeath in VeniceNew production

Britten: Death in Venice
Edward Gardner; Vasily Barkhatov; Bavarian State Opera; Zinovy Margolin; Olga Shaishmelashvili; Alexander Sivaev; Bayerisches Staatsorchester
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Moving singing, but missed opportunities in Dresden’s new Aida
Katharina Thalbach offers a traditional staging at the Semperoper, with fine vocal performances led by Krassimira Stoyanova, Francesco Meli and Oksana Volkova.
Peter Konwitschny returns to the Semperoper with Les Huguenots
John Osborn leads a very successful premiere of Peter Konwitschny's new production of Meyerbeer's Les Huguenots in Dresden
Nabucco marks a successful debut of Saioa Hernández as Abigaille
Saioa Hernández leads a solid cast in Dresden in a somewhat disappointing new production by David Bösch.
Anna Netrebko's dream Elsa in Dresden Lohengrin
Anna Netreboko chose to perform her first Elsa in Dresden with Christian Thielemann conducting. It was a remarkable performance never to be forgotten.
Dresden celebrates with Purcell's King Arthur
The genre of semi-opera is a peculiarly British one. Emerging from the courtly Masques during the restoration, the semi-opera served as an English operatic utterance, at a time where opera was emerging as one of the pre-eminent theatrical forms in Europe.
Falstaff als abgehalfterter Popstar an der Semperoper in Dresden

Musikalisch war Daniele Gattis Falstaff eine Offenbarung und ein grandioser Einstieg als Chef an der Semperoper. Auch das Sängerensemble nötigte Bewunderung ab. Michielettos Personenführung diente der Komödie gut, blieb aber im szenischen Setting einigermaßen belanglos.
