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LondonSir Simon Keenlyside, Malcolm Martineau

Mahler, Strauss R., Gurney, Warlock, Butterworth, Bridge, Fauré, Duparc, Poulenc
Sir Simon Keenlyside; Malcolm Martineau
MunichLa traviata

Verdi: La traviata
Andrea Battistoni; Günter Krämer; Bavarian State Opera; Andreas Reinhardt; Carlo Diappi; Wolfgang Göbbel; Bayerisches Staatsorchester
MunichDoctor AtomicNew production

Adams: Doctor Atomic
Gemma New; Claus Guth; Bavarian State Opera; Michael Levine; Ursula Kudrna; Urs Schönebaum; Bayerisches Staatsorchester
DortmundLiederabend Sir Simon Keenlyside & Tarmo Peltokoski
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Sir Simon Keenlyside; Tarmo Peltokoski
MunichDoctor AtomicNew production

Adams: Doctor Atomic
Gemma New; Claus Guth; Bavarian State Opera; Michael Levine; Ursula Kudrna; Urs Schönebaum; Bayerisches Staatsorchester
BerlinPelléas et Mélisande

Debussy: Pelléas et Mélisande
François-Xavier Roth; Ruth Berghaus; Staatsoper Berlin; Hartmut Meyer; Staatskapelle Berlin; Staatsopernchor Berlin
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Romeo Castellucci directs a new Pelléas et Mélisande at La Scala
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The Italian director makes his long-awaited Italian operatic debut at the Teatro alla Scala in a production which perfectly mirrors Debussy’s most enigmatic creation.
Happy 100th birthday, Wozzeck! Thielemann leads Berlin revival
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The Staatsoper Unter den Linden celebrates the 100th birthday of Alban Berg's masterpiece with a stellar cast in Andrea Breth’s revived production.
Pountney’s vivid Simon Boccanegra at Grange Park Opera
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Sir David Pountney's 1997 staging for Welsh National Opera is given a welcome new lease of life at Grange Park Opera, splendidly cast... with one major exception.
Mahler’s groovy songs open LA Phil festival
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Gustavo Dudamel and the Los Angeles Philharmonic open their “Mahler Grooves” festival, featuring Simon Keenlyside and Ekaterina Gubanova in Des Knaben Wunderhorn.
The Cleveland Orchestra shows Mahler in darkness and light
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The Cleveland Orchestra offers a compelling take on Maher’s variegated and enigmatic Seventh Symphony, while Sir Simon Keenlyside prefaces with a fine selection of Lieder.
Ticciati and the LPO serve up an extended Bruckner 9
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Forensic musicology has its limits: controversy will continue to surround any new attempt at providing a convincing conclusion to Bruckner's final symphony.
