Live EventsSee more...
BrusselsA Vagabond’s daydream
Schumann, Mahler, Strauss R., Poulenc, Fauré, Duparc
Sir Simon Keenlyside; Malcolm Martineau
MunichLa traviata
Verdi: La traviata
Andrea Battistoni; Günter Krämer; Bavarian State Opera; Andreas Reinhardt; Carlo Diappi; Wolfgang Göbbel; Bayerisches Staatsorchester
MunichDoctor AtomicNew production
Adams: Doctor Atomic
Gemma New; Claus Guth; Bavarian State Opera; Michael Levine; Ursula Kudrna; Urs Schönebaum; Bayerisches Staatsorchester
MunichDoctor AtomicNew production
Adams: Doctor Atomic
Gemma New; Claus Guth; Bavarian State Opera; Michael Levine; Ursula Kudrna; Urs Schönebaum; Bayerisches Staatsorchester
BerlinRigoletto
Verdi: Rigoletto
Domingo Hindoyan; Bartlett Sher; Staatsoper Berlin; Michael Yeargan; Catherine Zuber; Donald Holder; Staatskapelle Berlin
Latest reviewsSee more...
Romeo Castellucci directs a new Pelléas et Mélisande at La Scala
The Italian director makes his long-awaited Italian operatic debut at the Teatro alla Scala in a production which perfectly mirrors Debussy’s most enigmatic creation.
Happy 100th birthday, Wozzeck! Thielemann leads Berlin revival
The Staatsoper Unter den Linden celebrates the 100th birthday of Alban Berg's masterpiece with a stellar cast in Andrea Breth’s revived production.
Pountney’s vivid Simon Boccanegra at Grange Park Opera
Sir David Pountney's 1997 staging for Welsh National Opera is given a welcome new lease of life at Grange Park Opera, splendidly cast... with one major exception.
Mahler’s groovy songs open LA Phil festival
Gustavo Dudamel and the Los Angeles Philharmonic open their “Mahler Grooves” festival, featuring Simon Keenlyside and Ekaterina Gubanova in Des Knaben Wunderhorn.
The Cleveland Orchestra shows Mahler in darkness and light
The Cleveland Orchestra offers a compelling take on Maher’s variegated and enigmatic Seventh Symphony, while Sir Simon Keenlyside prefaces with a fine selection of Lieder.
Ticciati and the LPO serve up an extended Bruckner 9
Forensic musicology has its limits: controversy will continue to surround any new attempt at providing a convincing conclusion to Bruckner's final symphony.