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Performer: Sir Simon Keenlyside

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LondonSir Simon Keenlyside, Malcolm Martineau

Wigmore Hall
Mahler, Strauss R., Gurney, Warlock, Butterworth, Bridge, Fauré, Duparc, Poulenc
Sir Simon Keenlyside; Malcolm Martineau

MunichLa traviata

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Verdi: La traviata
Andrea Battistoni; Günter Krämer; Bavarian State Opera; Andreas Reinhardt; Carlo Diappi; Wolfgang Göbbel; Bayerisches Staatsorchester

MunichDoctor AtomicNew production

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Adams: Doctor Atomic
Gemma New; Claus Guth; Bavarian State Opera; Michael Levine; Ursula Kudrna; Urs Schönebaum; Bayerisches Staatsorchester

DortmundLiederabend Sir Simon Keenlyside & Tarmo Peltokoski

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Sir Simon Keenlyside; Tarmo Peltokoski

MunichDoctor AtomicNew production

Listing filler
Adams: Doctor Atomic
Gemma New; Claus Guth; Bavarian State Opera; Michael Levine; Ursula Kudrna; Urs Schönebaum; Bayerisches Staatsorchester

BerlinPelléas et Mélisande

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Debussy: Pelléas et Mélisande
François-Xavier Roth; Ruth Berghaus; Staatsoper Berlin; Hartmut Meyer; Staatskapelle Berlin; Staatsopernchor Berlin
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Romeo Castellucci directs a new Pelléas et Mélisande at La Scala

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The Italian director makes his long-awaited Italian operatic debut at the Teatro alla Scala in a production which perfectly mirrors Debussy’s most enigmatic creation.

****1
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Happy 100th birthday, Wozzeck! Thielemann leads Berlin revival

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The Staatsoper Unter den Linden celebrates the 100th birthday of Alban Berg's masterpiece with a stellar cast in Andrea Breth’s revived production. 
***11
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Pountney’s vivid Simon Boccanegra at Grange Park Opera

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Sir David Pountney's 1997 staging for Welsh National Opera is given a welcome new lease of life at Grange Park Opera, splendidly cast... with one major exception. 
****1
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Mahler’s groovy songs open LA Phil festival

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Gustavo Dudamel and the Los Angeles Philharmonic open their “Mahler Grooves” festival, featuring Simon Keenlyside and Ekaterina Gubanova in Des Knaben Wunderhorn
****1
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The Cleveland Orchestra shows Mahler in darkness and light

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The Cleveland Orchestra offers a compelling take on Maher’s variegated and enigmatic Seventh Symphony, while Sir Simon Keenlyside prefaces with a fine selection of Lieder.
****1
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Ticciati and the LPO serve up an extended Bruckner 9

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Forensic musicology has its limits: controversy will continue to surround any new attempt at providing a convincing conclusion to Bruckner's final symphony.
***11
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