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Performer: Ted Huffman

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ParisOrphée

© Denis Rouvre
Gluck: Orphée et Euridice
Speranza Scappucci; Ted Huffman; Bertrand Couderc; Les Siècles

AmsterdamOrfeo ed EuridiceNew production

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Gluck: Orfeo ed Euridice
Francesco Corti; Ted Huffman; Dutch National Opera; Bart Van Merode; Bertrand Couderc; Netherlands Chamber Orchestra

ZurichRoméo et Juliette

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Gounod: Roméo et Juliette
Christopher Franklin; Ted Huffman; Zurich Opera; Andrew Lieberman; Annemarie Woods; Franck Evin; Orchester der Oper Zürich

NantesWerther

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Massenet: Werther
Chloé Dufresne; Ted Huffman; Angers Nantes Opéra; Astrid Klein; Bertrand Couderc; Orchestre National des Pays de la Loire; Maîtrise de la Perverie

AngersWerther

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Massenet: Werther
Chloé Dufresne; Ted Huffman; Angers Nantes Opéra; Astrid Klein; Bertrand Couderc; Orchestre National des Pays de la Loire; Maîtrise de la Perverie
Latest reviewsSee more...

Venables’ 4.48 Psychosis revived by The Royal Opera

Veena Akama-Makia (Clare) and Jacquelyn Stucker (Gwen) © RBO | Marc Brenner
A strong cast led by Jacquelyn Stucker revive Philip Venables’ convincing operatic take on playwright Sarah Kane's final testament.
****1
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Glyndebourne’s first Tosca: vocally strong but imperfect

Caitlin Gotimer (Tosca) and Matteo Lippi (Cavaradossi) © Glyndebourne Productions Ltd | Richard Hubert Smith
Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.
***11
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Love is in the hare: a new Cunning Little Vixen opens in Berlin

Monika Rittershaus (Forester) © Monika Rittershaus
The Staatsoper's new production of Janáček's opera buzzes with life thanks to Sir Simon Rattle's conducting and an excellent cast led by Vera-Lotte Boecker and Magdalena Kožená.
****1
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Implacable Werther at Opéra-Comique from Pichon and Huffman

Pene Pati (Werther) and Adèle Charvet (Charlotte) © Jean-Louis Fernandez
Tight orchestral playing, minimalist stage design: the conductor and director are perfectly in tune with each other, transforming Massenet's work into an intimate and timeless drama.
****1
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Venables We Are the Lucky Ones is the time to be alive at DNO

We Are The Lucky Ones © Dutch National Opera | Koen Broos
Inspired by Annie Ernaux’s The Years, Philip Venables’ new opera widens the canvas to take in the whole of Europe’s postwar generation. 
*****
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Soaring orchestral themes, minimalist staging: Eugene Onegin

Liparit Avetisyan (Lensky), Avery Amereau (Olga) © Royal Ballet and Opera | Tristram Kenton
The Royal Opera's season opener is a welcome return for Tchaikovsky's opera after nine years, and a house debut for American director Ted Huffman.
***11
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ParisWertherNew production

© Jean-Louis Fernandez
Massenet: Werther
Raphaël Pichon; Ted Huffman; Opéra-Comique; Astrid Klein; Bertrand Couderc; Pygmalion; Maîtrise Populaire de l'Opéra-Comique
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Birgit Nilsson Prize awarded to Festival d’Aix-en-Provence

Saariaho’s Innocence at Aix-en-Provence (2021) © Jean-Louis Fernandez
Classical music’s most lucrative award, of $1 million, has been given to the prestigious French summer opera festival, in particular recognition of Kaija Saariaho’s opera Innocence.