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ParisOrphée

Gluck: Orphée et Euridice
Speranza Scappucci; Ted Huffman; Bertrand Couderc; Les Siècles
GlyndebourneToscaNew production

Puccini: Tosca
Jordan de Souza; Ted Huffman; Glyndebourne Festival Opera; Nadja Sofie Eller; Astrid Klein; DM Wood; London Philharmonic Orchestra
London4.48 Psychosis

Venables: 4.48 Psychosis
Naomi Woo; Ted Huffman; The Royal Opera; Hannah Clark; DM Wood; Orchestra of the Royal Opera House Covent Garden
AmsterdamOrfeo ed EuridiceNew production

Gluck: Orfeo ed Euridice
Francesco Corti; Ted Huffman; Dutch National Opera; Bart Van Merode; Bertrand Couderc; Netherlands Chamber Orchestra
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Glyndebourne’s first Tosca: vocally strong but imperfect

Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.
Love is in the hare: a new Cunning Little Vixen opens in Berlin

The Staatsoper's new production of Janáček's opera buzzes with life thanks to Sir Simon Rattle's conducting and an excellent cast led by Vera-Lotte Boecker and Magdalena Kožená.
Implacable Werther at Opéra-Comique from Pichon and Huffman

Tight orchestral playing, minimalist stage design: the conductor and director are perfectly in tune with each other, transforming Massenet's work into an intimate and timeless drama.
Venables We Are the Lucky Ones is the time to be alive at DNO

Inspired by Annie Ernaux’s The Years, Philip Venables’ new opera widens the canvas to take in the whole of Europe’s postwar generation.
Soaring orchestral themes, minimalist staging: Eugene Onegin

The Royal Opera's season opener is a welcome return for Tchaikovsky's opera after nine years, and a house debut for American director Ted Huffman.
From page to stage: Girl with a Pearl Earring premieres in Zurich
The Zurich opera house launches a novel production of Stefan Wirth's new opera in three movements based on the popular 1999 novel by Tracy Chevalier.
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ParisWertherNew production

Massenet: Werther
Raphaël Pichon; Ted Huffman; Opéra-Comique; Astrid Klein; Bertrand Couderc; Pygmalion; Maîtrise Populaire de l'Opéra-Comique
Latest articles
Birgit Nilsson Prize awarded to Festival d’Aix-en-Provence

Classical music’s most lucrative award, of $1 million, has been given to the prestigious French summer opera festival, in particular recognition of Kaija Saariaho’s opera Innocence.
