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Performer: Ted Huffman

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AmsterdamDenis and Katya

Venables: Denis and Katya
Tim Andersen; Ted Huffman; Dutch National Opera; Andrew Lieberman; Millie Hiibel; Pierre Martin

ZürichGirl with a Pearl EarringWorld premiere

Wirth: Girl with a Pearl Earring
Peter Rundel; Ted Huffman; Zurich Opera; Andrew Lieberman; Annemarie Woods; Franck Evin; Lauren Snouffer

StrasbourgThe Birds (Die Vögel)New production

Braunfels: The Birds (Die Vögel)
Aziz Shokhakimov; Ted Huffman; Opéra National du Rhin; Sora Elisabeth Lee; Andrew Lieberman; Doey Lüthi; Bernd Purkrabek
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BrusselsKris Defoort: The Time of Our Singing

Defoort: The Time of Our Singing
Kwamé Ryan; Ted Huffman; La Monnaie | De Munt; Johannes Schütz; Astrid Klein; Bernd Purkrabek; Claron McFadden
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An enchanting new Midsummer Night’s Dream at Deutsche Oper Berlin

Deutsche Oper Berlin’s new production of A Midsummer Night’s Dream is a delightful and whimsical homage to Britten’s masterpiece. The orchestra, soloists and children’s chorus performed with energy and charm under the baton of Donald Runnicles.
***11
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Venables sets free the music in Kane’s 4.48 Psychosis

Venables conceived a wealth of acoustic and visual components that constantly overlap and interact.
****1
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An intriguing Dutch National double bill

What is the link between Bernstein’s criticism of American consumerism and MacMillan's biblical tale?
***11
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Simplicity the key to new Butterfly in Zurich

Apparently, the composer himself was a notorious cheater, we can assume that some of the unsavoury themes of his 1904 opera “Madame Butterfly” were close to the bone.
****1
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Powerful and assured: 4.48 Psychosis

Philip Venables' 4.48 Psychosis is the first musical adaptation of the eponymous play by Sarah Kane, which is the culmination of a three-year programme run jointly by the Royal Opera and Guildhall School of Music and Drama.

Dynamic and fun-packed Mamelles de Tirésias

Dutch National Opera performs Poulenc’s first opera, Les mamelles de Tirésias, as a project of the company’s talent development program... a fun occasion to witness the much lighter “voyou” side of the French composer.
***11
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