A golden evening for Mariss Jansons

By Elisabeth Schwarz, 26 November 2017

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“baton strokes went like whiplashes through the orchestra”

Reviewed at Barbican Hall, London on 24 November 2017

Beethoven, Piano Concerto no. 4 in G major, Op.58

Schumann, Arabeske in C major, Op.18

Prokofiev, Symphony no. 5 in B flat major, Op.100

Tchaikovsky, The Sleeping Beauty, Op.66: Panorama

Prokofiev, Romeo and Juliet: The Death of Tybalt

Bavarian Radio Symphony Orchestra

Mariss Jansons, Conductor

Yefim Bronfman, Piano

Vivid Janáček and flowing Bruckner from Rattle and the BRSO

Roy Westbrook, 12th November

The Bavarian Radio Symphony Orchestra conclude the UK leg of their European tour at the Barbican, pairing Janáček’s Taras Bulba with Bruckner's Seventh Symphony.

*****

Sir Simon Rattle opens the Bavarian RSO tour on his home turf

Rohan Shotton, 10th November

Sir Simon Rattle returns to Liverpool to conduct his new orchestra, the Bavarian Radio Symphony Orchestra, in Schumann and Stravinsky.

*****

Rattle and the BRSO offer a glimmer of hope in epic Mahler 6

Nick Boston, 6th September

Stunning orchestral colour from the BRSO, with command and total coherency from Sir Simon Rattle in Mahler's “Tragic” Symphony.

*****

Adès and Bruckner: Rattle and his Bavarians arrive at the Proms

Roy Westbrook, 5th September

Sir Simon Rattle awards Thomas Adès a Royal Philharmonic Society medal during the first visit this summer of the BRSO to the BBC Proms.

****1

Rattle and the Bavarian RSO return to Carnegie Hall

Susan Stempleski, 3rd May

Winding up his inaugural tour with the BRSO, new Chief Conductor Sir Simon Rattle delivered a superbly performed program of Wagner, Adès and Beethoven.

****1

Sir Simon Rattle brings the BRSO to Philadelphia in Mahler 6

Cameron Kelsall, 1st May

After an eight-year absence, Rattle returned to deliver the kind of Mahler performance only he can offer: probingly intelligent and wonderfully idiosyncratic.

*****

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Elisabeth Schwarz

Elisabeth is Bachtrack’s German Editor and Press Manager. After more than five years in London, she is now back in Vienna, spending more time at the opera and in cafés than her own living room. She also organises music projects for people who have experienced homelessness and works as a freelance translator and copywriter for classical music PRs.

A golden evening for Mariss Jansons and his BRSO at the Barbican