A golden evening for Mariss Jansons

Por Elisabeth Schwarz, 26 noviembre 2017

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“baton strokes went like whiplashes through the orchestra”

Crítica hecha desde Barbican Hall, Londres el 24 noviembre 2017

Beethoven, Concierto para piano núm. 4 en sol mayor, Op.58

Schumann, Arabeske en do mayor, Op.18

Prokofiev, Sinfonía núm. 5 en si bemol mayor, Op.100

Chaikovskiï, The Sleeping Beauty, Op.66: Panorama

Prokofiev, Romeo and Juliet: The Death of Tybalt

Symphonieorchester des Bayerischen Rundfunks

Mariss Jansons, Dirección

Yefim Bronfman, Piano

Simon Rattle y la BRSO ofrecen un dechado sinfónico en Ibermúsica

Leonardo Mattana Ereño, 20th November

La BRSO, una de las mejores formaciones a nivel mundial, ofreció una velada que no será fácil de olvidar.

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Erhebender Tanz der Töne: Bartók mit Vilde Frang und dem BRSO

Benedikt Zacher, 26th February

Die norwegische Ausnahmegeigerin verzaubert mit Bartóks Zweiten Violinkonzert das Münchner Publikum.

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Wohl komponiert: Håkan Hardenberger und Andris Nelsons mit dem BRSO

Benedikt Zacher, 7th December

Unaufgeregt, hochmusikalisch, bescheiden: die Weltklasse-Musiker begeistern in der Isarphilharmonie.

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L'hymne à la vie de Rattle avec l'Orchestre de la radio bavaroise

Emmanuel Gaillard, 14th November

La phalange munichoise et son directeur musical ont proposé une interprétation mémorable de la Symphonie n° 2 de Schumann et de L'Oiseau de feu de Stravinsky au lendemain des commémorations des attentats du 13 novembre 2015.

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Vivid Janáček and flowing Bruckner from Rattle and the BRSO

Roy Westbrook, 12th November

The Bavarian Radio Symphony Orchestra conclude the UK leg of their European tour at the Barbican, pairing Janáček’s Taras Bulba with Bruckner's Seventh Symphony.

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Sir Simon Rattle opens the Bavarian RSO tour on his home turf

Rohan Shotton, 10th November

Sir Simon Rattle returns to Liverpool to conduct his new orchestra, the Bavarian Radio Symphony Orchestra, in Schumann and Stravinsky.

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Elisabeth Schwarz

Elisabeth is Bachtrack’s German Editor and Press Manager. After more than five years in London, she is now back in Vienna, spending more time at the opera and in cafés than her own living room. She also organises music projects for people who have experienced homelessness and works as a freelance translator and copywriter for classical music PRs.

A golden evening for Mariss Jansons and his BRSO at the Barbican