Alan Gilbert, Anne Sofie von Otter and the New York Philharmonic in works of Haydn, Schubert and Ravel

By Bachtrack reviewer, 01 January 2012

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Reviewed at Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York City on 29 December 2011

Haydn, Symphony no. 88 in G major

Schubert, Die Forelle (Schubart), D.550

Schubert, Gretchen am Spinnrade (Goethe), D.118

Schubert, Du bist die Ruh' (Rückert), D.776

Ravel, Ma mère l'Oye (Mother Goose): Suite

Ravel, La Valse

New York Philharmonic

Alan Gilbert, Conductor

Anne Sofie von Otter, Mezzo-soprano

Elim Chan takes the New York Philharmonic to the ball

Susan Stempleski, 27th May

The Hong Kong-born conductor conducts a masterful performance of selections from Prokofiev’s Cinderella and Philharmonic Principal Carter Brey bids farewell in Saint-Saëns’ First Cello Concerto.

****1

Memorable Mendelssohn from Marek Janowski and the New York Phil

Susan Stempleski, 21st May

Principal Trumpet Christopher Martin plays Haydn before the esteemed German maestro conducts a vibrant Scottish Symphony.

****1

Barbara Hannigan makes a powerful connection in La Voix humaine

Thomas May, 23rd April

The Canadian soprano and conductor fuses live performance and video in a taut, volatile account of Poulenc’s punch-packing monodrama with the New York Philharmonic, sharing the bill with Strauss’ valedictory Metamorphosen.

****1

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

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