Sounds of the contemporary from the Deutsches Symphonie-Orchester

Boglárka Pecze and the DSO Berlin

André de Ridder conducts the DSO Berlin

The DSO Berlin at the Festival Ultraschall Berlin

By Elena Luporini, 23 January 2024

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“the DSO provided great volume and vibrant support”

Reviewed at Haus des Rundfunks: Großer Sendesaal, Berlin on 21 January 2024

Streich, Mantel

Chin, Clarinet Concerto

Andre, Im Entschwinden

André de Ridder, Conductor

Boglárka Pecze, Clarinet

Deutsches Symphonie-Orchester Berlin

Music from Wonderland to Heaven at Kölner Philharmonie

Kurt Gottschalk, 29th June

Hanna-Elisabeth Müller joined the visiting Deutsches Symphonie-Orchester Berlin for Mahler's Fourth Symphony and Unsuk Chin's surprising Puzzles and Games, derived from her opera Alice in Wonderland.

*****

May I have your attention? Pekka Kuusisto and the DSO in Berlin

Elena Luporini, 17th December

At the head of the Deutsches Symphonie-Orchester, Pekka Kuusisto greets the holidays in Berlin with a Haydn-centred concert featuring works by Anna Clyne, Caroline Shaw and Beethoven.

****1

Opposites attract: Ticciati conducts a Pépin premiere in Berlin

Elena Luporini, 15th October

Camille Pépin's Le Sommeil a pris ton empreinte, a violin concerto dedicated to Renaud Capuçon, receives its German premiere.

*****

Manfred Honeck and the DSO dazzle Berlin's Philharmonie

Pablo Sánchez Quinteiro, 8th May

Manfred Honeck builds a magnificent monument of sound conducting the DSO Berlin in Mahler's Fifth Symphony, the highlight of the evening, preceded by violinist James Ehnes who brilliantly recreates Mozart's Third Concerto.

*****

DSO Berlin opens its 75th anniversary season

Zenaida des Aubris, 19th September

The Deutsches Symphonie-Orchester performs works by Lang, Pärt, Stravinsky and Mahler under music director, Robin Ticciati.

****1

Tales of the unexpected: Ticciati and Tetzlaff at the Philharmonie

Hugo Shirley, 16th November

Robin Ticciati and the DSO bring a strong sense of purpose to Rachmaninov's Second Symphony and Christian Tetzlaff explores the extremes of Beethoven's Violin Concerto.

****1

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Elena Luporini

After completing their Master's degree in Musicology in Rome, Elena has now moved to Berlin to dedicate themselves to more things musical. With a publication on Béla Bartók and a seminar at the Humboldt-Universität underway, their interests mostly veer toward 20th-century opera, with some forays into queer musicology. Some of their latest undertakings also include oboe lessons, stencil-making and tea-making.

Sounds of the contemporary: André de Ridder and the Deutsches Symphonie-Orchester