Yeol Eum Son’s Britten Piano Concerto formed the evening’s centre of gravity, played with lucid line, structural command and sudden fire. In Brahms’ Second Symphony, Sakari Oramo found conviction, proportion and a warmth that felt earned rather than applied.
Yeol Eum Son's superb performances of Bartók and Finzi are matched by intense and heady readings of Stravinsky and Weir by the BBC Symphony Orchestra under Sakari Oramo.
A bewildering evening at the Barbican, where ambitious Icelandic programming collapses under its lofty ambition of defying genres and making music more appealing to a wide variety of audiences.
Eleanor is a writer and librettist. Her work has appeared in all kinds of places from the Royal Opera House to the foot tunnels beneath the Elephant and Castle roundabout, and she has written arts reviews and features for British papers and magazines. Having begun her working life in theatre, she switched to publishing and later taught creative writing at the University of Brighton and Birkbeck. Currently based in the Netherlands, she teaches at the University of Utrecht. Eleanor plays violin and sings, though not usually at the same time, and has recently taken up speed-skating.
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