D'un bout à l'autre du romantisme musical en compagnie de l'ONCT

By Arnaud Saura-Ziegelmeyer, 17 February 2018

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“une extrême finesse”

Reviewed at Halle aux grains, Toulouse on 15 February 2018

Beethoven, Egmont, Op.84: Overture

Dvořák, Violin Concerto in A minor, Op.53

Beethoven, Symphony no. 4 in B flat major, Op.60

Thomas Søndergård, Conductor

Josef Špaček Jr, Violin

Orchestre National du Capitole de Toulouse

Ambition meets the Philharmonie: Peltokoski and Kantorow in Paris

Laurence Vittes, 2nd June

Two prodigies, with a surplus of imagination and more interest in the moment than in creating long arcs of music, join the Orchestre National du Capitole de Toulouse in Paris.

****1

Matthias Goerne strikes gold with Salome in Toulouse

Emmanuel Gaillard, 22nd May

Late step-in Nicole Chevalier, baritone-turned-director Matthias Goerne and conductor Frank Beermann combine their talents to create a landmark production at the Capitole de Toulouse.

*****

Caesar’s Gallic Wars at home: Norma in Toulouse

David Karlin, 26th March

Although Karine Deshayes role change from Adalgisa to Norma is a work in progress, Luciano Ganci and Roberto Scandiuzzi shine in a staging charged with mythic symbolism.

****1

Prokofiev’s colourful scores well served by Karabits in Toulouse

David Truslove, 13th March

Two popular Prokofiev works were given vivid accounts by the Orchestre National du Capitole de Toulouse at the opening concert of the Franco-russes Festival.

****1

A flat finish for Prague Spring

Frank Kuznik, 4th June

Orchestre National du Capitole de Toulouse lets the air out of a promising program and a Czech classic.

**111

Return to the harem: Ravel's Shéhérazade in Paris

Mark Pullinger, 20th May

With barely time for coffee and baklava after the Orchestre Pasdeloup's Arabian matinee, I stepped boldly back into the harem for a rendezvous with the Orchestre National du Capitole de Toulouse.

*****

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Arnaud Saura-Ziegelmeyer

Maître de conférences en histoire ancienne à l'Institut Catholique de Toulouse, Arnaud enseigne également à l'Université Toulouse II et à l'Institut National Universitaire d'Albi. Passionné de musique, violoniste et pianiste, il a poursuivi en parallèle de ses études en histoire un cursus au Conservatoire de Toulouse et y a obtenu plusieurs prix. Ses recherches portent sur l’histoire des religions antiques et notamment sur l’utilisation de la musique dans le cadre des cultes polythéistes.