Philosophy trumps passion in Glyndebourne’s Tristan

Stuart Skelton (Tristan), Miina-Liisa Värelä (Isolde)

Stuart Skelton (Tristan), Shenyang (Kurwenal)

Stuart Skelton (Tristan), Miina-Liisa Värelä (Isolde)

Karen Cargill (Brangäne), Miina-Liisa Värelä (Isolde)

By Dominic Lowe, 31 July 2024

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“The true magic of the evening, though, came from the pit”

Reviewed at Glyndebourne Opera House, Glyndebourne on 29 July 2024

Wagner, Tristan und Isolde

Glyndebourne Festival Opera

Robin Ticciati, Conductor

Nikolaus Lehnhoff, Director

Roland Aeschlimann, Set Designer

Andrea Schmidt-Futterer, Costume Designer

Robin Carter, Lighting Designer

London Philharmonic Orchestra

The Glyndebourne Chorus

Dan Dooner, Revival Director

Stuart Skelton, Tristan

Miina-Liisa Värelä, Isolde

Franz-Josef Selig, King Marke

Karen Cargill, Brangäne

Shenyang, Kurwenal

Samuel Sakker, Melot

Caspar Singh, Shepherd, Young seaman

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Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.

***11

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Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.

***11

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Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

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Nick Boston, 8th June

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Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.

Philosophy trumps passion in Glyndebourne’s musically excellent Tristan und Isolde