Philosophy trumps passion in Glyndebourne’s Tristan

Stuart Skelton (Tristan), Miina-Liisa Värelä (Isolde)

Stuart Skelton (Tristan), Shenyang (Kurwenal)

Stuart Skelton (Tristan), Miina-Liisa Värelä (Isolde)

Karen Cargill (Brangäne), Miina-Liisa Värelä (Isolde)

Von Dominic Lowe, 31 Juli 2024

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“The true magic of the evening, though, came from the pit”

Rezensierte Veranstaltung: Glyndebourne Opera House, Glyndebourne, am 29 Juli 2024

Wagner, Tristan und Isolde

Glyndebourne Festival Opera

Robin Ticciati, Musikalische Leitung

Nikolaus Lehnhoff, Regie

Roland Aeschlimann, Bühnenbild

Andrea Schmidt-Futterer, Kostüme

Robin Carter, Licht

London Philharmonic Orchestra

The Glyndebourne Chorus

Dan Dooner, Wiederaufnahmeleitung

Stuart Skelton, Tristan

Miina-Liisa Värelä, Isolde

Franz-Josef Selig, König Marke

Karen Cargill, Brangäne

Shenyang, Kurwenal

Samuel Sakker, Melot

Caspar Singh, Hirte, Junger Seemann

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.

Philosophy trumps passion in Glyndebourne’s musically excellent Tristan und Isolde