Uchida plays to her strengths in Salzburg

By Aaron Davies, 17 August 2017

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“masterly control through the constant whirlwind of emotions”

Reviewed at Haus für Mozart, Salzburg on 15 August 2017

Mozart, Piano Sonata no. 16 in C major, K545

Schumann, Kreisleriana, Op.16

Widmann, Sonatina facile

Schumann, Fantasie in C major, Op.17

Dame Mitsuko Uchida, Piano

Peerless Beethoven from Dame Mitsuko Uchida at Wigmore Hall

Vishnu Bachani, 12th October

Dame Mitsuko Uchida brings forth with crystal clarity Beethoven's masterful counterpoint and harmony in a recital of his last three piano sonatas.

****1

Uchida’s Beethoven meets Shostakovich’s farewell at Carnegie Hall

Edward Sava-Segal, 23rd April

Two incongruent journeys conclude as Dame Mitsuko Uchida and the Boston Symphony meet in New York.

****1

Delicacy at the cost of spark: Mitsuko Uchida with the Mahler CO

Mengguang Huang, 26th January

While Uchida’s performances showcase remarkable precision and refinement, they occasionally feel restrained, leaving room to explore the improvisatory charm that make Mozart’s music so compelling.

***11

Philadelphia Orchestra delivers memorable Carnegie Hall finale

Susan Stempleski, 31st May

In their final Carnegie Hall appearance of the season, the Philadelphians offered a superbly integrated program bookending a Valerie Coleman premiere with groundbreaking pieces by Ravel and Debussy.

****1

Magic and solemnity: Uchida and the Mahler Chamber Orchestra

Susan Stempleski, 28th March

Mitsuko Uchida and the MCO continue their exploration of Mozart’s piano concertos and the players deliver a polished New York premiere of Jörg Widmann’s Chorale Quartet.

****1

The Philharmonia at home with Beethoven, at sea with Sibelius

David Karlin, 25th January

A concert of two halves: the Philharmonia and Dame Mitsuko Uchida light up Beethoven with the essence of Classical style, but the orchestra struggles in Sibelius’ Lemminkäinen Suite.

***11

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Aaron Davies

A lifelong aficionado of classical music in all its various guises, Aaron spent his formative years studying musical composition whilst playing a number of instruments. Today, his day job involves running an international technology business. He derives particular pleasure from expanding his “virtual” music library via the use of online streaming services. If pressed to compile a desert island disc, he would most likely select works from the catalogues of Beethoven, Schumann, Rachmaninov and Gershwin.

Exquisite Uchida plays to her strengths at Salzburg Festival