Petrenko compares and contrasts revolutionary symphonists in Munich

By Alexander Hall, 21 February 2021

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“Petrenko brought out all the inventiveness and craftsmanship of the graduation piece”

Reviewed at Nationaltheater, Munich on 20 February 2021

Beethoven, Symphony no. 1 in C major, Op.21

Shostakovich, Symphony no. 1 in F minor, Op.10

Bayerisches Staatsorchester

Kirill Petrenko, Conductor

Jones’ wicked Hänsel und Gretel returns to the Bayerische Staatsoper

Mark Pullinger, 6th December

Even without a gingerbread house, there’s enough wickedness in Richard Jones’ staging of Humperdinck’s opera for sweet tooths to savour.

****1

No fairy tale: Kušej’s Rusalka works with devastating force in Munich

Orsolya Gyárfás, 26th July

Asmik Grigorian leads a searing performance in Martin Kušej’s 15-year-old, yet ever-fresh, outstanding production of Dvořák's opera.

****1

Everlasting Everding: another beautiful Munich Zauberflöte revival

Laura Servidei, 4th January

August Everding’s Magic Flute is revived in Munich with a solid cast for the enjoyment of all ages.

***11

And they were the most divine gods: Das Rheingold in Munich

Phillip Richter, 3rd November

Tobias Kratzer's prelude to this new Ring cycle exceeds all expectations and scores a musical-theatrical success.

*****

All play and no work: an exuberant Figaro in Munich

Orsolya Gyárfás, 17th July

Evgeny Titov's new production is heavy on the jokes and light in substance, but delights anyway thanks to its high-class cast.

****1

Waltzing masks and masquerades in Kosky’s new Fledermaus

Zenaida des Aubris, 23rd December

Expect sequins and swinging chandeliers in the Australian director's new Fledermaus at the Bayerische Staatsoper.

****1

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Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.

Kirill Petrenko compares and contrasts revolutionary symphonists in Munich