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Venue: Severance Hall, Cleveland

Fact file
Address11001 Euclid Ave, Cleveland, OH 44106, United States
Cleveland
OH 11001
United States
ContainsReinberger Chamber Hall
Google maps41° 30' 22.852" N 81° 36' 33.610" W
July 2019
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Evening performance
Matinee performance
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ClevelandRomero plays Rodrigo

Rodrigo, Debussy
The Cleveland Orchestra; Pablo Heras-Casado; Pepe Romero

ClevelandSummers@Severance: Mozart's Great Mass

Mozart: Mass no.18 in C minor "Great", K427 (K417a)
The Cleveland Orchestra; Matthew Halls; Joélle Harvey; Krisztina Szabó; Paul Appleby; Michael Sumuel

ClevelandViva l'Italia

Barber, Mendelssohn
The Cleveland Orchestra; Osmo Vänskä

ClevelandRomeo and Juliet

Schubert, Prokofiev
The Cleveland Orchestra; Franz Welser-Möst

ClevelandMahler's Fifth

Neuwirth, Mahler
The Cleveland Orchestra; Franz Welser-Möst

ClevelandBach and Brahms

Brahms, Adès, Bach
The Cleveland Orchestra; Alan Gilbert; Kirill Gerstein

ClevelandBeethoven's Seventh

Andriessen, Prokofiev, Beethoven
The Cleveland Orchestra; Jaap van Zweden; Augustin Hadelich

ClevelandHamelin Plays Liszt

Rachmaninov, Liszt, Nielsen
The Cleveland Orchestra; Dima Slobodeniouk; Marc-André Hamelin
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Summers@Severance opens with lush Mahler and Beethoven

Franz Welser-Möst © Michael Pöhn
Welser-Möst led The Cleveland Orchestra in Mahler’s Lieder eines fahrenden Gesellen along with his own transcription for string orchestra of Beethoven’s Op.132 quartet.
***11
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Sir Simon Keenlyside masterful in songs by Sibelius in Cleveland

Sir Simon Keenlyside, Franz Welser-Möst and The Cleveland Orchestra © Roger Mastroianni | courtesy of The Cleveland Orchestra

Sibelius’s rarely performed orchestral songs received memorable performances by Keenlyside and The Cleveland Orchestra conducted by Welser-Möst. Grieg’s Peer Gynt and Strauss’s early Aus Italien filled out the program.

****1
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Exploring late Bartók and Schubert in Cleveland

Franz Welser-Möst, Mitsuko Uchida and The Cleveland Orchestra © Roger Mastroianni for The Cleveland Orchestra
Franz Welser-Möst thoughtfully paired Schubert’s final mass with Bartók’s final piano concerto, the latter featuring Mitsuko Uchida in her 100th Cleveland Orchestra appearance.
****1
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Labèques make a persuasive case for rare Bruch in Cleveland

Katia and Marielle Labèque © Weigold & Böhm

Semyon Bychkov was the guest conductor for a fine concert that also included the US premiere of Detlev Glanert’s evocative Wide Open Land, Music with Brahms, and expansive Smetana.

****1
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Ecstatic highs mark Denève’s Cleveland Orchestra program

Stéphane Denève © Uwe Ditz
An orchestral program on the theme of ecstasy, religious and profane, included a piano concerto by James MacMillan along with works by Jennifer Higdon, Debussy, and Scriabin.
****1
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Welser-Möst leads Cleveland Orchestra in a mighty Heldenleben

Franz Welser-Möst conducts The Cleveland Orchestra © Roger Mastroianni, Courtesy of The Cleveland Orchestra
In the last program at home before an international tour, Franz Welser-Möst led The Cleveland Orchestra in an imposing performance of Strauss’ Ein Heldenleben, prefaced by works of Schubert and Webern.
****1
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American premiere of Okeanos, a new organ concerto, in Cleveland

Franz Welser-Möst © Carl Juste

Paul Jacobs was soloist in Bernd Richard Deutsch’s Okeanos, which made a strong impression. Haydn’s Symphony No. 34 in D minor and Tchaikovsky’s indestructible Symphony No. 5 filled out this outstanding program.

****1
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Roth conducts colorful, brilliant Petrushka in Cleveland

François-Xavier Roth © Holger Talinski

Debussy’s student work Rêve received its first Cleveland performance, and pianist Javier Perianes was an impeccable soloist for Ravel’s Concerto in G Major.

****1
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