Venue: Volksoper Wien, Vienna

Omer Meir Wellber’s Mozart-Ullmann mash-up sounds like a terrible idea, but absolutely hits the mark. 

When is The Nutcracker not The Nutcracker? When's it's mashed together with Tchaikovsky's Iolanta to represent the blind princess’ inner world in a dark interpretation. 

A haunting, musically compelling impression of a woman whose life was shaped by creation, loss, and unfulfilled thirst for personal expression.

Lotte de Beer’s new retelling at the Volksoper reintroduces the element of shock into Bizet's popular opera. 

Kurt Weill's musical, with its focus on psychoanalysis, makes its Austrian premiere in the city of Sigmund Freud. 

Movement was so effectively utilised in this production, with elements of ballet, modern and Scottish folk melded in true Agnes de Mille fashion.

In the city of Freud there is nothing like a bit of family drama to put one in the mood for a great season of opera!

In spite of some good singing, the Volksoper's update of Werner Richard Heymann's 1931 movie doesn't quite catch fire.