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 Michael Cavanagh's sleek new production, designed by Erhard Rom and conducted by James Conlon, transforms the 18th-century opera into a Broadway musical, score by Mozart.

Così fan tutte is a fun-filled night at the State Opera of South Australia, well cast and continuously entertaining without sacrificing musical or vocal values. 

Opera Australia's well nigh perfect production of Mozart's Così fan tutte excels in every dimension, with an excellent ambiguous conclusion.

Golda Schultz leads a fine cast in the fourth revival of Jan Philipp Gloger's Royal Opera production. 

Damiano Michieletto’s 2011 staging of Mozart’s Così fan tutte, dubbed the "Camping Così", is one of the most enduring and entertaining productions in NNTT’s repertory. 

Max Hoehn takes Così‘s subtitle, La scuola degli amanti (The School for Lovers), and connects it to Monty Python’s sex education sketch in The Meaning of Life. What larks, eh? 

Tim Albery's Opera North production is successfully revived, with a new cast.

A memorable night at the opera as Andris Nelsons conducts Così fan tutte at the Tanglewood Festival. 

Lindy Hume directs a refreshingly uncomplicated new staging for New Zealand Opera, supported by fine musical performances.

Polly Graham's take on Mozart's Così fan tutte is full of humour and political commentary, while the singing is a joy to hear. 

A talented cast labors under the yoke of a gender-conscious Così fan tutte in a new production at the Estates Theatre. 

Sven-Eric Bechtolf's staging holds a balance between philosophy and humour, but Adam Fischer's vivacious conducting is the real star of the evening.

Lush visuals and appealing singing do not quite make up for a somewhat lacklustre revival of Nicholas Hytner's acclaimed 2006 production of Mozart's late comedy.

With a cast of six and orchestra of seven, Waterperry Opera treats us to a new chamber opera, and one with music by Mozart.

It's difficult to believe Salzburg could have cast a finer Così in Loy's Covid-reduced production in the Großes Festspielhaus.

It is clear that these women are already ripe for plucking even before Don Alfonso unleashes his dastardly plan.

Phelim McDermott’s Coney Island Così fan tutte returns to The Met, in sparkling vocal performances. 

Dutch National Opera's superbly sang Così fan tutte is transposed into a teenager summer crush story.

Jane Glover conducts a skittish Mozart's Così fan tutte for Kansas City's Lyric Opera.

Everyone is in the know in Jan Philipp Gloger's “School for Lovers”, receiving its first revival at Covent Garden. 

Despite an abundance of incongruous symbols, this Toronto performance was remarkable for its outstanding singing.

If ever a new production of a Mozart opera had a riveting backstory, this one is it. 

Hamburg State Opera launches its new season with a visually overpowering but musically satisfying Così fan tutte.

Diego Fasolis gives an enlightened, 18th-century account of the Mozart/da Ponte masterpiece, with great precision and elegance.

As the two sisters, Eleanor Dennis and Kitty Whately ideally complemented and blended with each other.  

Phelim McDermott’s new Met production is set in Brooklyn’s Coney Island in the late 1950s and is brilliantly vivid looking, but Mozart's music plays second fiddle. 

Synergies between singers compensated for accurate but unexciting orchestral playing.

In Nicholas Hytner's chocolate box production, lovingly revived by Bruno Ravella for Glyndebourne's tour, Alfonso is the most charismatic character on the stage.

A strong ensemble cast and a playful production make for a highly enjoyable evening in the company of Mozart's Così fan tutte.

The third opera of the Mozart-Da Ponte trilogy opens the opera festival in Drottningholm, the "Swedish Versailles", with a good cast beautifully conducted by Marc Minkowski.

Jacobs has found in the excellent musicians of this orchestra the perfect laboratory to explore his conception of Mozart.

Fine singing from the quartet of lovers isn't enough to prevent Bychkov's slow tempi and Gloger's earnest direction from turning Così into a very long evening.

The controversial Aix-en-Provence Così fan tutte reaches the Edinburgh Festival with a thrilling first-rate international cast and the excellent Freiburger Barockorchester.

While updated from the 18th century, the Merola Opera Program’s version of Così maintained a gaiety and sly wit that depended on the singers’ beautiful and virtuosic voices for its success.

Newlyn's updating of the opera to the Second World War was effective, while a superb Despina from Soraya Mafi gave the performance real fizz.

Not just a jolly romp through the inconstancies of the heart, Sir David McVicar takes Così fan tutte through a dark lesson for lovers while leaving the music ravishingly intact.

In Mozart’s marvellous Così fan tutte, what begins as a harmless wager around what women left alone will do suddenly balloons into a major calamity. 

In the Nederlandse Reisopera's Così fan tutte, the team of young soloists and the Orkest van het Oosten conducted by Arnaud Oosterbaum give a musically rewarding performance that compensates for an unconvincing stage direction.

Opera North's Così fan tutte directed by Tim Albery at the Grand Theatre, Leeds, is a welcome revival of an intelligent, nuanced production.

Set during the First World War, this enjoyable Così fan tutte focuses on how tough shifting human relationships are for both sexes. In Nicolette Molnár’s production, it is clear that if all women do it, so do all men.

Weddings bring out the cynic in me. They also bring out the cynic in Don Alfonso and it’s at a wedding breakfast that John Fulljames sets his production of Così fan tutte. 

In collaboration with the Württembergisches Kammerorchester and the University of Music Stuttgart, Heilbronn Theater created a production whose young protagonists knock the audience off their seats.

An opening night of Così fan tutte in Munich in which Gaëlle Arquez and Marina Rebeka as the two sisters take the honours. 

A winning young cast discovers that all's not well that ends well in the Orchestra of the Eighteenth Century’s virtuosic Così fan tutte at the Royal Theatre Carré in Amsterdam.

If you want to have your operatic head seriously messed with, imagine the following: Così fan tutte staged on the Act I/IV set of John Copley’s soon-to-be-mothballed La bohème, which closed with a double performance on Saturday afternoon and evening. Throw in Don Alfonso sporting frock coat, wig and cane, looking for all the world like Baron Scarpia, and the mash-up of references had my head spinning.

Guth's production is beautiful to look at, but fails to bring out the best in Mozart's drama.

Così fan tutte in a 1950s carnival setting. Visually spectacular, and with plenty of laughs. Not everything works, but still worth seeing, especially for Roderick Williams' spivvy Don Alfonso.

Canadian Opera Company Toronto première of Così hit the trifecta, with strong performances from cast, conductor Johannes Debus, and director Atom Egoyan.

What is it about Mozart’s Così fan tutte that inspires the zaniest interpretations? While the music is lovely, replete with all those lush trios, quartets, and quintets that operagoers live for, the storyline is silly if not downright insipid.