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Work: Don Juan, Op.20

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Fact file
ComposerStrauss, Richard (1864-1949)
PeriodRomantic
Work typeOrchestral
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LondonJohn Wilson Conducts Bernstein and Ravel

BBC Proms
Strauss R., Bernstein, Ravel
Sinfonia of London; John Wilson; James Ehnes; Sinfonia of London Chorus

BarcelonaCuarto concierto para piano de Beethoven

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Casablancas, Schoenberg, Strauss R.
Orquestra Simfònica de Barcelona i Nacional de Catalunya; Ludovic Morlot; Josep Colom

ParisOrchestre National de France

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Strauss R., Mahler
Orchestre National de France; Cristian Măcelaru; Joyce DiDonato
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New season, new horizons: Salonen opens the Elbphilharmonie

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Salonen and the Orchestre de Paris opened the Elbphilharmonie season with a vivid journey from Strauss’s dramatic energy, through a reflective new Horn Concerto, to Sibelius’s luminous, precise grandeur.
****1
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A night of bold strokes: Orozco-Estrada and Josefowicz in Seoul

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By the close of the performance, one sensed that the audience’s exhilaration stemmed less from polished execution and more from a shared immersion in the music’s dramatic arc—elements that lingered as the defining memory of this eventful evening.
****1
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Short Ride in a Fast Machine: Dudamel’s LSO debut proves a mixed bag

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Making his London Symphony Orchestra debut at the Barbican, Gustavo Dudamel’s Ravel fares better than his disappointing Strauss. 
**111
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GothenburgStrauss' Don Juan

Listing filler
Strauss R.: Don Juan, Op.20
Gothenburg Symphony Orchestra; Santtu-Matias Rouvali

New York CityViolin Master Class with Rainer Honeck: R. Strauss’s Don Juan

Listing filler
Strauss R.: Don Juan, Op.20
Liam Mansfield; Rainer Honeck

New York CityTrumpet Master Class with Hans Peter Schuh: R. Strauss’s Don Juan

Listing filler
Strauss R.: Don Juan, Op.20
Shane O'Brien; Hans-Peter Schuh
Latest articles

Bachtrack top ten: Richard Strauss

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From the early succès de scandale of Salome to a golden Indian summer, Richard Strauss’ long career spanned eight decades. Enjoy some highlights in our playlist. 

Salome: the greatest Strauss tone poem?

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A look at the succès de scandale that was Strauss first operatic hit, Salome, placing it in the context of his early tone poems Don Juan and Death and Transfiguration.