Bachtrack logo
What's on
Reviews
Articles
News
Video
Site
Young artists
Travel

Work: Symphony no. 10 in E minor, Op.93

Find classical music concert, opera, ballet and dance listings
Fact file
ComposerShostakovich, Dmitri (1906-1975)
PeriodEarly 20th century
Year1953
Work typeOrchestral
Upcoming eventsSee more...

ManchesterStorgårds conducts Shostakovich

Loading image...
Shostakovich, Dvořák
BBC Philharmonic Orchestra; John Storgårds; Anastasia Kobekina

HamburgBenjamin Kruithof | Nicolas Ellis

Loading image...
Shostakovich, Britten
Symphoniker Hamburg – Laeiszhalle Orchester; Nicolas Ellis; Benjamin Kruithof

TokyoFumiaki Miura plays Tchaikovsky

Tokyo Metropolitan Symphony Orchestra
Tchaikovsky, Shostakovich
Tokyo Metropolitan Symphony Orchestra; Kazuhiro Koizumi; Fumiaki Miura
Latest reviewsSee more...

Galloping demons: Pappano and the LSO in Shostakovich 10

Loading image...
Sir Antonio Pappano the charioteer whips his forces to attack the fleeing Shostakovich in the Tenth Symphony at the Barbican. 
*****
Read more

Collaboration, innovation and defiance: Chineke! at the BBC Proms

Loading image...
Jonathon Heyward steps in to conduct Chineke! in two UK premieres and Shostakovich's rip-roaring Tenth Symphony. 


****1
Read more

LSO launches Edinburgh International Festival residency

Loading image...
Sir Antonio Pappano's skills as a communicator are clear, whether he's speaking or conducting, but it's the depth of the LSO's sound that impresses most as it launches its EIF residency.
****1
Read more
Upcoming eventsSee more...

StockholmShostakovich's Symphony no. 10 in E minor

Loading image...
Shostakovich: Symphony no. 10 in E minor, Op.93
Royal Stockholm Philharmonic Orchestra; Sakari Oramo

AmsterdamInauguration concert: Karina Canellakis

Listing filler
Beethoven, Currier, Shostakovich
Netherlands Radio Philharmonic Orchestra (Radio Filharmonisch Orkest); Karina Canellakis; Baiba Skride
Latest articles

Bachtrack top ten: Dmitri Shostakovich

Loading image...
Conformist or closet dissident? Dmitri Shostakovich had to adapt, chameleon-like, to the changing political climate in the Soviet Union, toeing the party line where necessary, but planting his music with coded messages.