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Work: Three movements from Petrushka

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ComposerStravinsky, Igor (1882-1971)
PeriodEarly 20th century
Work typeInstrumental
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AmsterdamMartin Oei: Scriabin, Prokofiev, Rachmaninoff, Balakirev and Stravinsky

Het Concertgebouw
Scriabin, Rachmaninov, Prokofiev, Balakirev, Stravinsky
Martin Oei, Piano

HamburgVsevolod Zavidov

Listing filler
Bach, Schubert, Stravinsky
Vsevolod Zavidov, Piano

La CoruñaOrquesta Sinfónica de Galicia - Giancarlo Guerrero

Listing filler
Rimsky-Korsakov, Navarro, Stravinsky
Orquesta Sinfónica de Galicia; Giancarlo Guerrero; Javier Eguillor
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Benedetti shines in Marsalis concerto with Robertson and the NY Phil

Nicola Benedetti and David Robertson © Chris Lee
Wynton Marsalis’ Violin Concerto in D is a sprawling smorgasbord of a piece, held together by Nicola Benedetti’s ferocious commitment and personality, along with a Mallonee premiere and perfect Petrushka.
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Marked by Schumann’s shadow: George Li at Zankel Hall

George Li © Jennifer Taylor
George Li brings forward unexpected connections in masterly interpretations of works by Ravel and Stravinsky. 
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A storm of thrills: Beatrice Rana makes landfall at the Wigmore

The Cliburn-winning pianist enthralls the Wigmore Hall audience with full-blooded Stravinsky and a distinctive, rounded approach to Bach.
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Bachtrack top ten: Igor Stravinsky

Igor Stravinsky, portrait by Jacques-Émile Blanche (1915) © Public domain
No 20th-century composer adapted his style as much as Igor Stravinsky. From his early ballets for Diaghilev’s Ballets Russes to his neoclassical phase and serialism, Stravinsky’s music underwent many transformations.