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Work type: Chamber

February 2018
Evening performance
Matinee performance
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LondonLCMS – Gemma Rosefield (cello) & Katya Apekisheva (piano)

LCMS – Gemma Rosefield (cello) & Katya Apekisheva (piano)
Martinů, Shostakovich, Dvořák, Rachmaninov
Gemma Rosefield; Katya Apekisheva

Bern3. Matineekonzert: eine Reise im 20. Jahrhundert

Schoenfield, Khachaturian, Stravinsky, Gershwin
Daniele D’Andria; Calogero Presti; Mischa Kozlowski

Saffron WaldenThe Sixteen

© Molina Visuals
Vivaldi, Bach, Handel
The Orchestra of The Sixteen; Harry Christophers; The Sixteen

BambergKammerkonzert: Trompete, Posaune und KlavierUraufführung

Ewazen, Bozza, Willscher, Koetsier, Gershwin, Turrin
Markus Mester; Angelos Kritikos; Andreas Weimer

ClearwaterRomeo & Juliet and West Side Story

Bernstein, Gruber, Tchaikovsky
The Florida Orchestra; Michael Francis; Håkan Hardenberger

LondonHiro Takenouchi & Sinfonia Cymru

© Jean-Baptise Millot
Bennett, Mendelssohn
Sinfonia Cymru; Hiroaki Takenouchi; Ashok Klouda
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Sweet string sounds from the ACO

Richard Tognetti © Paul Henderson
In their Sydney season-opener, the ACO with guest players from ANAM deliver a thoroughly satisfying account of two 19th-century standards and introduce two new works to Australian audiences.
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Sunlight, sinews and mischief from the Aurora

Shai Wosner © Jamie Jung
The Aurora Orchestra's principals and pianist Shai Wosner present a programme of chamber works that balance light and dark hues.
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Majoring in the minor: Jansen, Maisky and Argerich at the Barbican

Mischa Maisky and Martha Argerich © Tom Howard | Barbican
Three musicians at the top of their game – Martha Argerich, Janine Jansen and Misha Maisky – collaborated in a celebration of the joy of music-making that teased, astonished and ultimately stirred the emotions.
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Ghosts and musical magic from the Belgrade Philharmonic

Gabriel Feltz conducts the Belgrade Philharmonic © Marko Djokovic | Belgrade Philharmonic
The Belgrade Philhamonic presented a magical concert of music on supernatural themes.   
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More than A Little Night Music: Mozart and Shostakovich in Boston

Kristine Opolais, Andris Nelsons and the Boston Symphony © Robert Torres
Andris Nelsons' Mozart–Shostakovich pairing allowed the Boston Symphony winds to take the spotlight in the first half, leaving the strings and limited percussion to their task in the second. 
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Moreau and Kadouch play Rita Strohl in Gstaad

Edgar Moreau © Miguel Bueno
Edgar Moreau and David Kadouch make the case for ressurecting the work of Rita Strohl, thrilling in transformation of Racine's Bérénice into Cello Sonata form.
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