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TallinnPelléas et Mélisande

Debussy: Pelléas et Mélisande
Arvo Volmer; Albert-André Lheureux; Estonian National Opera; Liina Keevallik; Rasmus Rembel; Estonian National Opera Orchestra; Estonian National Opera Choir
PragueMacbeth
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Verdi: Macbeth
Hermann Bäumer; Martin Čičvák; Prague State Opera; Hans Hoffer; Marija Havran; Prague State Opera Orchestra; Prague State Opera Chorus
VilniusMadama Butterfly
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Puccini: Madama Butterfly
Martynas Stakionis; Anthony Minghella; Lithuanian National Opera; Ričardas Šumila; Michael Levine; Han Feng; Peter Mumford
ParisTosca
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Puccini: Tosca
Pierre Audi; Opéra national de Paris; Christof Hetzer; Robby Duiveman; Jean Kalman; Orchestre de l'Opéra national de Paris
PragueLe nozze di Figaro
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Mozart: Le nozze di Figaro (The Marriage of Figaro)
Marek Šedivý; Barbora Horáková; Prague National Theatre Opera; Zdeněk Klauda; Falko Herold; Nicole von Graevenitz; Ivo Dankovič
ParisSatyagrahaNew production
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Glass: Satyagraha
Ingo Metzmacher; Bobbi Jene Smith; Opéra national de Paris; Christian Friedländer; Wojciech Dziedzic; John Torres; Orchestre de l'Opéra national de Paris
Latest reviewsSee more...
Diamonds and steel: Anna Pirozzi rules in La Scala’s Turandot revival
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Visually enchanting and meticulously staged, this centenary revival confirms Livermore's production as a modern classic.
Art imitates art in ETO’s bracing new Pagliacci
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Divorced from Cavalleria rusticana, English Touring Opera’s contemporary take on Leoncavallo’s masterpiece ticks all the boxes.
Regents Opera’s Salome lands a knockout punch at York Hall
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Mark Ravenhill directs a brutal, bloody Salome for Regents Opera at the spiritual home of British boxing, York Hall.
Andris Nelsons and the BSO arrive in New York, with baggage in tow
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In his first New York appearance since the termination of his contract as BSO Music Director, Nelsons courts public sympathy and makes some thrilling music.
Handel’s Il trionfo del tempo e del disinganno returns to Rome
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Robert Carsen’s staging of Handel's oratorio arrives, via Salzburg, in the city where Handel composed it in 1707.
Innocence: Saariaho’s final opera receives New York premiere
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At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.
