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Work type: Orchestral

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SalzburgSolistenkonzert Maxim Vengerov

Bruch, Saint-Saëns, Tchaikovsky
Camerata Salzburg; Gregory Ahss; Maxim Vengerov


Rossini, Wagner
Staatskapelle Berlin; Daniel Barenboim; Cecilia Bartoli; Jonas Kaufmann; Rolando Villazón

MunichSonderkonzert am Pfingsten

Smetana, Mascagni, Schubert, Tchaikovsky
Silke Aichhorn; Munich Residenz Solisten

MunichFestkonzert im Cuvilliés-Theater

Festkonzert im Cuvilliés-Theater
Mendelssohn, Beethoven, Brahms
Munich Residenz Solisten

Bad SalzuflenKlassik zu Pfingsten - Orchesterkonzert 2

Schubert, Schumann
North West German Philharmonic; Frank Beermann; Julia Bauer

BudapestRichter 102 - The Sacred Wagner

Richter 102 - The Sacred Wagner
Palestrina, Wagner
Hungarian State Opera Orchestra; Hungarian State Opera; Hungarian State Opera Chorus; Rita Rácz; Lúcia Megyesi Schwartz
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Ott and de Waart bring magnificent Mozart and Dvořák to Antwerp

Alice Sara Ott © Jonas Becker
The Antwerp Symphony Orchestra make Dvořák’s Ninth Symphony sound like new, while Alice Sara Ott’s joy in playing Mozart is palpable.  
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Elegant Mozart and a thrilling Mahler 6 from Milstein and RTÉ NSO

Nathalia Milstein © Frederic Labrouche
A well crafted, elegant Mozart Piano Concerto no. 23 in the first half counters the passions and tragedy of Mahler’s Symphony no. 6 in the second. 
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Radulović's Barber the highlight at NFM Wrocław

Nemanja Radulović © Joanna Stoga
Eiji Oue doesn't quite convince in Bernstein and Copland, but Samuel Barber's Violin Concerto proves a winner. 
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BBC Scottish looks to the north for a gripping end to the season

Thomas Dausgaard © Thomas Grondahl
BBCSSO with Thomas Dausgaard, the Lund Male Choir and soloists gave a thrilling performance of Sibelius’ Kullervo with Finnish folk musicians joining the forces.
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A Requiem to soothe troubled souls at NOSPR in Katowice

RIAS Kammerchor, NOSPR and Alexander Liebereich © Bartek Barczyk
Debussy's early cantata is played with verve by NOSPR but exposes its composer's inexperience; Mansurian's memorial to genocide shows off the exceptional musicianship of the RIAS Kammerchor.
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From Beethoven to Shostakovich at the Musikverein

Igor Levit © Gregor Hohenberg
If Beethoven referred to his own compositional approach as “redend” (speaking), then Levit speaks him clearly, beautifully and fluently.
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