| Friday 16 October 2026 | 19:30 |
| Thursday 22 October 2026 | 19:00 |
| Saturday 31 October 2026 | 19:30 |
| Saturday 07 November 2026 | 19:00 |
| Saturday 21 November 2026 | 19:00 |
| Staatsoper Stuttgart | |||
| Killian Farrell | Conductor | ||
| Stephan Kimmig | Director | ||
| Katja Haß | Set Designer | ||
| Anja Rabes | Costume Designer | ||
| Gerrit Jurda | Lighting Designer | ||
| Staatsorchester Stuttgart | |||
| Johanna Mangold | Dramaturgy | ||
| Staatsopernchor Stuttgart | |||
| Kinderchor der Staatsoper Stuttgart | |||
| Bernhard Moncado | Choirmaster / chorus director | ||
| Jonathan Reimann | Choreography | ||
| Natasha Te Rupe Wilson | Soprano | Vixen (Bystrouška) | |
| Paweł Konik | Baritone | Forester | Oct 16, Nov 07, 21 |
| Jasper Leever | Bass-baritone | Forester | Oct 22, 31 |
| Diana Haller | Mezzo-soprano | Fox (Zlatohřbítek) | Oct 16, 22, 31 |
| Ida Ränzlöv | Mezzo-soprano | Fox (Zlatohřbítek) | Nov 07, 21 |
| Andrew Bogard | Bass | Parson, Badger | |
| Moritz Kallenberg | Tenor | Schoolmaster, Mosquito | |
| Olivia Johnson | Mezzo-soprano | Forester’s wife, Owl | |
| Itzeli del Rosario | Mezzo-soprano | Lapák, Woodpecker | |
| Ilia Skvirskii | Tenor | Rooster | |
| Carmen Larios Caparrós | Soprano | Chocholka | |
| Michael Nagl | Baritone | Harašta | |
| Torsten Hofmann | Tenor | Pásek | |
| Catriona Smith | Soprano | Mrs Paškova, Jay |
Leoš Janáček’s The Cunning Little Vixen (1924) is his most personal stage work and a poetic-philosophical parable about desire, transience, and the cycle of life. In Stephan Kimmig’s acclaimed Stuttgart production, vitality becomes the driving force of the evening, shaping both humans and animals alike. The Vixen appears as the untamable female counterpart, a force that challenges order and awakens longing. Natasha Te Rupe-Wilson will be appearing as the Vixen this season, with Diana Haller and Ida Ränzlöv sharing the role of the Fox, and Paweł Konik once again embodying the Forester. The chorus, children’s choir, and State Orchestra perform under the musical direction of Killian Farrell.
In Czech language with German surtitles
There will be a German introduction 45 minutes before the performance at the Upper Foyer (I. Rang).
