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The Cunning Little Vixen

Staatsoper StuttgartUpper Schlossgarten 6, Stuttgart, Baden-Württemberg, 70173, Allemagne
Dates/horaires selon le fuseau horaire de Berlin
vendredi 16 octobre 202619:30
jeudi 22 octobre 202619:00
samedi 31 octobre 202619:30
samedi 07 novembre 202619:00
samedi 21 novembre 202619:00
Artistes
Staatsoper Stuttgart
Killian FarrellDirection
Stephan KimmigMise en scène
Katja HaßDécors
Anja RabesCostumes
Gerrit JurdaLumières
Staatsorchester Stuttgart
Johanna MangoldDramaturgie
Staatsopernchor Stuttgart
Kinderchor der Staatsoper Stuttgart
Bernhard MoncadoChef de chœur
Jonathan ReimannChorégraphie
Natasha Te Rupe WilsonSopranola Renarde (Bystrouška)
Paweł KonikBarytonle Garde-Chasseoct. 16, nov. 07, 21
Jasper LeeverBaryton-bassele Garde-Chasseoct. 22, 31
Diana HallerMezzo-sopranole Renard (Zlatohřbítek)oct. 16, 22, 31
Ida RänzlövMezzo-sopranole Renard (Zlatohřbítek)nov. 07, 21
Andrew BogardBassele Prêtre, le Blaireau
Moritz KallenbergTénorl'Instituteur, le Moustique
Olivia JohnsonMezzo-sopranola femme du Garde-Chasse, le Hibou
Itzeli del RosarioMezzo-sopranoLapák, le Pivert
Ilia SkvirskiiTénorle Coq
Carmen Larios CaparrósSopranola Poule huppée
Michael NaglBarytonLe vagabond Harašta
Torsten HofmannTénorl'Aubergiste
Catriona SmithSopranola femme de l'Aubergiste, le Geai

Leoš Janáček’s The Cunning Little Vixen (1924) is his most personal stage work and a poetic-philosophical parable about desire, transience, and the cycle of life. In Stephan Kimmig’s acclaimed Stuttgart production, vitality becomes the driving force of the evening, shaping both humans and animals alike. The Vixen appears as the untamable female counterpart, a force that challenges order and awakens longing. Natasha Te Rupe-Wilson will be appearing as the Vixen this season, with Diana Haller and Ida Ränzlöv sharing the role of the Fox, and Paweł Konik once again embodying the Forester. The chorus, children’s choir, and State Orchestra perform under the musical direction of Killian Farrell.

In Czech language with German surtitles

There will be a German introduction 45 minutes before the performance at the Upper Foyer (I. Rang).

© Martin Sigmund
© Martin Sigmund